Seven sleepless days in Moscow’s squats
- Text by Niall Flynn
- Photography by Jon Cuadros
Jon Cuadros has always been fascinated by the idea of Russia. For the Columbian-American photographer, the country represented a great unknown; a distant, otherworldly place, veiled by a mythology that preceded it. Naturally, when a friend – originally from Kazan – invited him to stay with her in Moscow, he jumped at the opportunity to uncover the country for himself.
Despite only having a week-long visa, Cuadros (who’s based out of Berlin) was determined to take in as much of the city as physically possible. In seven short days, he managed to capture the entire spectrum of Moscow’s weird, wild and wonderful – from young lovers and squat-dwelling artists, to a close-knit community of ardent aviculturists, Cuadros’s lens followed him into some of the city’s most secluded corners. Sleep, it transpires, was very much a second thought.
“I stayed with a friend living in a quaint, post-Soviet-type neighbourhood out in western Moscow,” he tells Huck. “Babushka meetings in the playgrounds, apartment complexes like giant concrete slabs, people selling melons on the sidewalk – it was beautiful. I reject sleep, especially when it feels like there are windows of opportunity shutting around me.”
“Since I had a visa for only one week I felt the internal pressure to see, do, and absorb as much as possible. I didn’t want to sleep – I ate breakfast walking most days, and my feet were aching by day two or three. Even when I caught a cold (during) the last few days, I just powered through it. As an anxious person, hard and fast and manic is my modus operandi.”
The subsequent series, Moscow Kiss, portrays a relentless, week-long period in which the city’s fringe characters are spotlighted with monochromatic fascination. Focusing on subtle intimacies – between friends, lovers, strangers, photographer and subject – the images are a whirlwind snapshot of the city, compiled of stories that would otherwise go untold.
“I’ve spent time in big cities like Tokyo or New York, but no city has ever felt so grand to me. Between the ultra-wide streets, statues, monuments everywhere and the Stalinist architecture tapering into the sky, I felt like a tiny person dropped into a city of giants.”



See Moscow Kiss as part of NIGHT & DAY at FK Kollektiv on October 7.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph