Shooting the original characters of old Vegas

Off the strip — Photographer Hunter Barnes shoots the heroes of Las Vegas’ hedonistic heyday – from showgirls and lounge singers, to imposing, Scorsesian casino bosses.

The Las Vegas of today is a far cry from the shimmering, hedonistic centre that once stood tall in Nevada’s Mojave desert.

Though the city has grown rampantly, it has done so at the expense of the authenticity that once made it such a draw. The modern Las Vegas – synthetic, vacuous, strange – pales in comparison to the old playground of Frank Sinatra, Dean Martin et al. It’s a different place. 

However, many of the characters from those glory days never actually left. In a new book, titled Off The Strip, American photographer Hunter Barnes presents the old Vegas heroes who stayed behind – from the showgirls and lounge singers, to the imposing, Scorsesian casino bosses.

© Hunter Barnes, Courtesy of Reel Art Press

“My first thought was, ‘This is not the place that they lived in,’” Barnes says, remembering his arrival in the city. “The best way to sum it up is, when I got there, I checked into one of the old hotels that has a lot of history. I went downstairs to the steakhouse and thought, ‘Oh man, I better get dressed up.’”

“So, I got really dressed up, went down to the steakhouse and as soon as I got there realised I was the only guy in a suit – everybody else was in flip flops and cargo shorts! I remember thinking, ‘Wow, this is a completely different era in time.’”

© Hunter Barnes, Courtesy of Reel Art Press

The photos in Off The Strip – shot mainly in black and white – present a community that now exists on the sidelines, despite having helped shape the city during its heyday in the late ’60s and 70s. Together, they serve as a living embodiment of the demolished landmarks they once made their names in.

For Barnes, a photographer who specialises in documenting those that exist outside of the modern American narrative (“I guess somehow I relate to them!”), the original characters of Vegas are products of a different time: a forgotten community, where the old spirit still remains.

© Hunter Barnes, Courtesy of Reel Art Press

“What I took home from it was that particular time period was a very tight-knit community. It was also a very glamorous time – a town for adults, and they had a blast. It was a heyday, a special place.”

“What’s next for it? I couldn’t really say. But I just think it’s going to continue to develop. It’s a very touristy town – people that go there now want something different.

© Hunter Barnes, Courtesy of Reel Art Press

© Hunter Barnes, Courtesy of Reel Art Press

© Hunter Barnes, Courtesy of Reel Art Press

© Hunter Barnes, Courtesy of Reel Art Press

© Hunter Barnes, Courtesy of Reel Art Press

© Hunter Barnes, Courtesy of Reel Art Press

© Hunter Barnes, Courtesy of Reel Art Press

Off The Strip is available now from Reel Art Press.  

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.
Culture

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Written by: Miss Rosen

Black and white image of several people in suits, some with long hair and unconventional appearances, alongside a large ship or boat model. Text overlaid: "FREAKS AND FINANCES".
Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Angela Hui

A punk rock band performing on stage, with a female lead singer belting into a microphone. Behind them, a colourful mural with graffiti-style text.
Music

Meet the hair-raised radicals of Berlin’s noise punk scene

Powertool — In his new zine, George Nebieridze captures moments of loud rage and quiet intimacy of the German capital’s bands, while exploring the intersections between music, community and anti-establishment politics.

Written by: Miss Rosen

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.