The photographer removing gang members' tattoos to help us see past the ink
- Text by Khadija Ahmed
- Photography by Steven Burton
There’s more beauty in tattoos than just their aesthetic: These imprints on our bodies often sing to a time in our lives, a moment or emotion. For some though, tattoos can also become a permanent and very public reminder of a history that they’d prefer to move on from.
For nobody is this truer than ex-gang members, getting inked for these guys with displays of allegiances, skills, places of incarceration and more is the norm. But when someone wants to put that life behind them, the world still sees the marks.
Realising just how debilitating this can be, American photographer Steven Burton decided to start his latest project, Skin Deep. “I wanted to comment on the way society is quick to judge these ex-gang members without taking the time to learn anything about them and understand who they are”, says Steven.
Steven set out shoot portraits of inked up subjects, and then using Photoshop he removed any trace of their tattoos. Working closely with Homeboy Industries, an LA based charity that supports ex-gang members, Steven began to earn the trust of the guys he wanted to capture. But it wasn’t easy.
“I started by pulling some images off the internet to see if the concept would work”, explains Steven. “I used these images to pitch the idea to the homeboys, although the first four homeboys did not really understand why I wanted to photograph them.”
After a little convincing, they agreed to the shoot. “After I worked on the images and showed them the pics, the word got out and it was a lot easier to convince others to get involved.”
As the project got underway, Steven was stunned by the reactions he received from the former gang members. “The faces of the homeboys as they looked at the images, was amazing”, he explains. The 400 hours spent tirelessly editing felt worth it.
The images are set to become part of a book, it’s the next step for Steven, and he’s currently crowdfunding for it. “The plan was to let the participants tell their own stories”, he continues.
“The book, in addition to the photos, will include transcribed interviews. In truth, I just wanted to understand why they were in the gangs, why the tattoos. I wondered what they saw everyday when they looked in the mirror; how they would change the past if they could; how society judges them, and in the end, how they judge themselves.”
Sadly two of Steven’s subjects have passed away since he started, both fatally shot since he photographed them. Vincent was killed by three policemen while having an argument with his girlfriend, in front of his child. Calvin was also shot by the police. “In a way, living with tattoos is living with a bull’s eye on your back”, suggests Steven.
Check out Steven’s Kickstarter campaign for Skin Deep.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
