Is social media the new weapon of war?
- Text by Michael Fordham
Truth is the first casualty of war. So as the US-led strikes on the so-called ‘Islamic State’ swings into action, to which version of this embattled veracity are we to subscribe?
It might be that the Jihadi Caliphate that is the Islamic State is indeed a medievalist tyranny. The United Nations has verified that war crimes have been committed in the self-proclaimed caliphate. It could also be that ISIS is the only barrier that exists to Western, oil-hungry power, and that the slaughter of largely innocent populations is about to re-commence in Iraq – all in the name of western hegemony.
The facts are at one level clear. As many as 1.2 million people died during the last allied military attack on Iraq, according to a survey conducted by the Opinion Research Business. Compare that to the numbers killed by either Al-Qaeda, IS, or affiliated groups world wide since September 11, 2001. The numbers don’t even come close.
It’s wrong to apply simple metrics to the horrors of war – but can mass murder sanctioned by state be any less horrific than that carried out in the name of a perverse interpretation of Islamic law?
As well as the hard-edged realities of Predator strikes and Paveway missiles, there is a war of images being waged. Whether we like it or not, we in the independent media are as essential a part of the struggle for truth, the struggle to circulate a set of meaningful images, as is ISIS itself.
Those provocative videos are shot with the same Canon 5Ds we use; the sound is recorded on the same Sennheiser radio mics we carry; they are edited in Adobe Premiere Pro. These tight webisodes feature dashing young men who look like us but are swathed in Guantanamo Orange. These videos reach hundreds of millions, even as they are deleted from youtube. That is what I call ‘engagement’. Jihadis, despite their retrogressive aesthetic, aren’t the scimitar-rattling enemies we need them to be. There is no clear ‘us and them’.
Whichever version of the truth you choose to believe – it is clear that the west is as prone to politicised murder as anyone. And we are left to wonder – if fighters of any kind, armed to the teeth, were to turn up at the gates of Shoreditch/Williamsburg/your home – would you fight to protect your freedoms? How far would you be prepared to go to be able to do, to say and to think exactly what you want to?
Whether we like it or not this war is on your doorsteps, wherever you live – and there’s no such thing as a non-combatant. At time of writing, our weapons are words and images but that can change very quickly. Remember Sarajevo. Look at Syria. War is here, now, everywhere.
We don’t have the answers. We’re just fighting over the cadaver of truth in the desperate light and the deadly shade.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
As salmon farming booms, Icelanders size up an existential threat
Seyðisfjörður — The industry has seen huge growth in recent years, with millions of fish being farmed in the Atlantic Ocean. But who benefits from its commercial success, and what does it mean for the ocean? Phil Young ventures to the remote country to find out.
Written by: Phil Young
Activists hack London billboards to call out big tech harm
Tax Big Tech: With UK youth mental health services under strain, guerrilla billboards across the capital accuse social media companies of profiting from a growing crisis.
Written by: Ella Glossop
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph
‘We’re going to stop you’: House Against Hate tap Ben UFO, Greentea Peng and Shygirl for anti-far right protest
R3 Soundsystem — It takes place on March 28 in London’s Trafalgar Square, with a huge line-up of DJs, artists and crews named on the line-up.
Written by: Ella Glossop
In photos: Lebanon’s women against a backdrop of war
Where Do I Go? لوين روح — As war breaks out in the Middle East once again, we spotlight Rania Matar’s powerful new photobook, which empowers women of her home country through portraiture.
Written by: Miss Rosen