Unpacking the privilege of life as a white South African
- Text by Sydelle Willow Smith, Olivia Walton
- Photography by Sydelle Willow Smith
Being a white South African is a perplexing identity to occupy. I was born in 1987 and grew up just as apartheid came to an end. Ever since starting primary school, I have been told that I am a child of the “rainbow nation”, that the advent of democracy means that racial differences would cease to exist.
Yet it’s clear that our relationships in this country remain largely mediated – affected, limited, constrained, corroded, delineated – by race. And there’s certainly no ignoring that the history of imperialism, colonialism and white supremacy on this soil is one of violence and economic exploitation.

A group of overlanders enjoying the pool in the midday sun of the Kalahari Desert.
You might like
How one of the world’s best big wave photographers & filmmakers gets the perfect shot
Staring down the barrel — Sachi Cunningham has built an immersive body of work documenting huge barrels by getting closer to the action than most. Josh Jones speaks to her about her process, finding order within chaos, and the importance of feeling awe.
Written by: Josh Jones
In photos: The gritty golden age of the UK’s skateboarding scene
Elsewhere — A new book from Science Vs. Life founder Neil Macdonald explores the characters, photographs and ephemera that defined the sport in the ’80s and ’90s, just before the internet and commercialisation changed it forever.
Written by: Isaac Muk
The London passport picture studio that became an unexpected repository of 20th century stars
Passport Photo Service — From Mick and Bianca Jagger to Muhammad Ali and Poly Styrene, the unassuming Oxford Street store was frequented by hundreds of musicians, actors, artists and more over its 70 years of operation.
Written by: Miss Rosen
Sophie Green’s maximalist, technicolour vision of Britain’s fringes
Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.
Written by: Roxana Diba
When the Chelsea Hotel was New York’s countercultural epicentre
Closed doors, open minds — Albert Scopin’s new photobook collects photographs that were once thought to be lost, documenting the city’s creative scene that gathered during the building’s 1969 to 1971 heyday.
Written by: Miss Rosen
Glasgow’s Calabash is the restaurant the African diaspora call home
Home Cooking — Having been open in the heart of the city for 15 years, the Kenyan rooted eatery has become a community staple for migrants and Scottish-born locals alike.
Written by: Lisa Maru