Syrian National Orchestra to reunite at special London concert
- Text by Adam White
- Photography by Southbank Centre (courtesy of)
A leading Syrian orchestra is reuniting for a rare concert this summer at London’s Southbank Centre. The perception of Syria has recently been so monopolised by stories of conflict that little attention has been granted to the local popular culture decimated in the civil war. One such institution to find itself scattered across the world in the wake of atrocity has been the Syrian National Orchestra for Arabic Music (SNOAM).
Formed by the late Iraqi conductor Solhi al-Wadi in 1993, the orchestra has travelled the world and in 2004 took up residence at the Damascus Opera House. But since the uprising against Bashar al-Assad began in 2011, the Opera House has been regularly targeted in airstrikes, international performers have declined to appear, and visitors have dwindled. Conductor Missak Baghboudarian, who works regularly at the Opera House, told the Times of Israel that concerts and plays still take place, but sporadically and with a skeleton staff. “It is not easy to play when you hear every day that people are dying,” he said. “But music is life – it brings people together.”
For SNOAM, the summer concert (designed as the first in a potential series of events this year) marks the first public performance by the entire orchestra, led by conductor Issam Rafea, since 2011. Appearing as support will be several so-far-unannounced guests, as well as Damon Albarn, who previously worked with the orchestra on the Gorillaz track White Flag. The orchestra then went on to join the band on their 2010 world tour.
Africa Express Presents The Syrian National Orchestra occurs on Saturday 25 June, and tickets can be bought at the Southbank Centre website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Grainy, yearning memories of Europe’s ’90s free rave heyday
Never Alone — A new photobook from Cheyenne Clementi and Valentina Morandi presents pictures they made over seven years while touring the continent as part of the Tekno Mobil Squad soundsystem crew. It archives parties, people and a lifestyle largely consigned to the past.
Written by: Isaac Muk
As Hanoi’s nightlife faces raids & repression, its underground scene modulates
Spaces Between the Beats — Tensions between nightlife and authorities have grown in recent times, as police target venues and their patrons with increasingly frequent drug testing and searches. With clubs becoming hostile spaces as a result, Hanoi’s electronic music community is finding new spaces and forms of expression, reports Martin Guttridge-Hewitt.
Written by: Martin Guttridge-Hewitt
American Football: The One With The Feelings
Many moons — The Midwest emo architects transformed a college experiment into a coming-of-age soundtrack. 25 years on, their latest iteration sees them bottle the same magic for the ups and downs of middle life.
Written by: Tracy Kawalik
Joe James: “I will never be absent in my children’s lives because I know it doesn’t feel nice”
Hard Feelings — As the silky MC prepares to release his debut album ‘The Ends Never Ends’, he joins our column on fatherhood and masculinity to discuss leaving his childhood home at 16, the manosphere and his risk-embracing approach to life.
Written by: Robert Kazandjian
Analogue Appreciation: mary in the junkyard
Role Model Hermit — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s art rock fabulists mary in the junkyard.
Written by: mary in the junkyard
Kibo’s compendium of Kwengletarianism
Kwengletaria:Ragamyff — As UK rap’s latest prodigious MC announces his most ambitious project to date, Rob Kazandjian spends time with Kibo in a north London pub to chat about his rise, as well as the inspirations and ideologies underpinning his music.
Written by: Robert Kazandjian