Syrian National Orchestra to reunite at special London concert
- Text by Adam White
- Photography by Southbank Centre (courtesy of)
A leading Syrian orchestra is reuniting for a rare concert this summer at London’s Southbank Centre. The perception of Syria has recently been so monopolised by stories of conflict that little attention has been granted to the local popular culture decimated in the civil war. One such institution to find itself scattered across the world in the wake of atrocity has been the Syrian National Orchestra for Arabic Music (SNOAM).
Formed by the late Iraqi conductor Solhi al-Wadi in 1993, the orchestra has travelled the world and in 2004 took up residence at the Damascus Opera House. But since the uprising against Bashar al-Assad began in 2011, the Opera House has been regularly targeted in airstrikes, international performers have declined to appear, and visitors have dwindled. Conductor Missak Baghboudarian, who works regularly at the Opera House, told the Times of Israel that concerts and plays still take place, but sporadically and with a skeleton staff. “It is not easy to play when you hear every day that people are dying,” he said. “But music is life – it brings people together.”
For SNOAM, the summer concert (designed as the first in a potential series of events this year) marks the first public performance by the entire orchestra, led by conductor Issam Rafea, since 2011. Appearing as support will be several so-far-unannounced guests, as well as Damon Albarn, who previously worked with the orchestra on the Gorillaz track White Flag. The orchestra then went on to join the band on their 2010 world tour.
Africa Express Presents The Syrian National Orchestra occurs on Saturday 25 June, and tickets can be bought at the Southbank Centre website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
The rise of anywhere and everywhere radio
Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.
Written by: Bella Koopman