The changing face of Tooting Broadway Market, in photos

The Travel Diary — London tour guide Saira Niazi takes us on a photographic tour through the south London market, uncovering the alarming effects of gentrification on the local community.

Growing up in the ’90s, I spent a lot of time in Tooting Broadway Market. My aunt used to work at a stationary stall, and often after school my mum would leave me with her. I’d spend my time chomping down free popcorn and doughnuts given to me by the man in the sweets stall opposite. I’d muck around with the water taps, talk to strangers and generally cause mischief. I loved it: it felt like an extension of home. 

Tooting Broadway market is one of the oldest markets in South London. Unlike its counterpart, Tooting Market, which is a few dozen metres down the high street, Tooting Broadway Market is changing at a slower rate. Gone is the pet shop, where I got my first pet goldfish. Gone is the sweet stall where I’d get my daily sugar fix. Gone is the stationary stall where my aunt once worked. But there are still many shops from that time that still remain – the Music Specialist with the sound of reggae blasting out, run by CJ and his dad for over 40 years; the bedding and duvet shop where Mr Singh trades; the Vietnamese nail salons, and the legendary Rucama greasy spoon café.

In 2017, Tooting was named by Lonely Planet as one of the top 10 coolest neighbourhoods in the world to live. Since then, the gentrification of Tooting has sped up, the rents have rocketed and many people who have traded in the market for over a decade are no longer able to afford to stay. For example: Nicki, a local resident who runs Pedal Back café, will be forced to move soon as rent has gone up for the third year. Her café was the first in the new wave of cafés, restaurants and bars to open in the market. For Harry next door, the co-owner of Plot, a British restaurant, business is booming as it is for a lot of new bars and restaurants moving in. On Friday and Saturday nights, the market is heaving with people.  

It’s easy to look back through rose tinted glasses on what the market used to be like. Admittedly, the newcomers have breathed new life into Tooting – but at what cost, and for whose benefit?  Mr Javed, a long-time stallholder at the market, says the people who come to the market for its new bars and restaurants don’t go to the market for shopping, and they don’t often interact the community – so the increase of visitors has done nothing for him.

I still often wander through Broadway market. As a tour guide, I organise and lead wandering tours all over city, often drawing upon stories of people and places that have been long forgotten. My Tooting tour is one of my favourites and the closest to my heart. I make a point, when bringing outsiders into the market, to share stories of what it used to be, and to share the things that make Tooting so special to me and to a lot of other long-time residents: its quirky gems, its curry houses, its characters and the genuinely multicultural and inclusive community its home too.

As more and more stall holders move out of the market, it’s just a matter of time before the market loses more of its stories. As a guide, I feel it’s more important than ever to preserve and to share them. These days Tooting Broadway Market no longer feels like an extension of home – more like a guest room you can have a peek into, but aren’t allowed to stay in, or wouldn’t feel wholly comfortable if you did.  

Saira Niazi is a writer, tour guide and founder of Living London.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

A man with long curly hair and a beard wearing a green jacket against a dark blue background with "Analogue Appreciation" text in yellow.
Music

Analogue Appreciation: Joe Armon-Jones

All The Quiet (Part II) — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s keyboardist, producer and Ezra Collective member Joe Armon-Jones.

Written by: Joe Armon-Jones

Colourful collage of album covers and record sleeves on display in a gallery or museum setting, with glass panels on either side reflecting the vibrant arrangement.
Culture

Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern

Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.

Written by: Ella Glossop

Rustic footbridge across a river, with people crossing it on a sunny day. Warm tones and shadows suggest an outdoor, natural setting.
Sport

In Medellín’s alleys and side streets, football’s founding spirit shines

Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.

Written by: Isaac Muk

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.
Culture

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Written by: Miss Rosen

Crowd of protesters holding Palestinian flags and signs calling for "Free Palestine" outside the UK Houses of Parliament.
Activism

A reading of the names of children killed in Gaza lasts over 18 hours

Choose Love — The vigil was held outside of the UK’s Houses of Parliament, with the likes of Steve Coogan, Chris O’Dowd, Nadhia Sawalha and Misan Harriman taking part.

Written by: Isaac Muk

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.