- Text by Iman El Kafrawi
- Photography by The Lebanese singer ‘Lady Madonna’ as the Christmas tree @takweer via IG
“For the longest time, queer Arabs would either disguise their stories to become more palatable to a less-than-accepting audience, or refrain from telling their stories altogether,” says Marwan Kaabour, the Lebanese artists and designer behind the Instagram archive, Takweer. “They knew there would be backlash from family, work, society or the state, which can be dangerous,” explains Marwan.
Fusing Arabic and English, Takweer translates to ‘to make queer’, which succinctly encapsulates Marwan’s mission. “I am trying to queer Arab history and popular culture by looking at it with a queer lens,” he says.
“Takweer also happens to be a name of a Surah from the Quran that talks about the coming of the day of judgement. In Arabic, Takweer literally translates to ‘make something in spherical form’. So in my hopelessly romantic brain, I think of it as to look at and create the world with a queer vision,” he continues.
Driven by a desire to uncover queer history from his own culture and to understand the experiences of those who came before him, Marwan collects, curates and documents stories, giving them a space in history. “We tend to forget that prior to the colonial and imperial powers that have dominated our nations for so long, there are long stretches in Arab history that showed a far more open and relaxed attitude to sexuality and gender identities,” he explains. “I wanted to shed light on those narratives, so we can feel that our existence is a continuation of one that stretches way back.”
The digital archive consists of accounts of queer Arabs across centuries, from the story of Iraqi trans folk singer Masoud El Amaratly, to the first recorded lesbian relationship in Arab history. “I am trying to show that queer people have existed, and in many cases were celebrated and loved, amongst Arab societies and families, whether during the time of the Pharaohs, at the very heart of the Islamic Empire, or in a rural town in Iraq at the turn of the century.”
Beyond documenting historical stories, Takweer holds a space to honour figures and references from Arab popular culture that are inherently queer, from clips of the popular ‘80s Egyptian actress Sherihan to unintentionally homoerotic stock photos. “Arab and camp aesthetics go hand-in-hand, so it’s no surprise that every now and then, I share a visual from Arab popular culture, such as a screenshot from the infamous May Hariri interview on Pakistani Television, that us queers relate to. It’s an inside joke. It’s a secret language. Not everyone has to get it, but it’s important to celebrate those less obvious instances as much as the more thorough historical narratives, “ Marwan explains.
By uncovering these stories, Marwan’s objective is to challenge some of the misconceptions that surround Arab countries. “We’re constantly being told, whether by Western media or by our own Arab politicians and public figures, that Arabs (and primarily Muslims) are inherently conservative, homophobic, misogynistic and narrow-minded,” he says. Indeed, the picture is a lot more complicated than this. Despite almost non-existent gay rights in the Arab world, there does exist a thriving LGBTQ+ community fighting for recognition and acceptance in the country.
For a growing group of queer Arabs, Takweer has become a virtual community space, allowing those who are uncomfortable expressing their queerness to connect with their culture and express themselves. “For many queer Arab kids trying to navigate the complex world of self-identity, sexuality, family, society and religion, I hope a platform like Takweer can give them a sense of comfort, security and belonging.”
Beyond Instagram, Marwan is currently working on self-publishing a glossary of words and terms used to refer to LGBTQ+ people from across the Arabic speaking world and hopes to continue sharing these stories and facilitate conversation through publications, exhibitions and workshops. “I want to use my position to tell these stories that have long been untold. I am simply trying to claim the space that we, queer Arabs, rightly deserve in our own history,” he says. In the future, Marwan’s hope is that Takweer can grow into a collective that embodies the different voices within the queer Arab community.
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