The ferries, nightclubs and seaside revelry of '80s Dover

Port in a storm — Photographer Janine Wiedel remembers visiting the UK's major ferry port in 1989, where she immersed herself in a world that often felt frozen in time.

In 1989, photographer Janine Wiedel was commissioned by the Cross Channel Photographic Mission to spend a year documenting life in Dover and the changes the Channel Tunnel would bring to the people and their culture. Dover, a Port in a Storm (1991) would later be split into two books: Leisure Time Dover 1989-1990 and Port of Dover 1989-1990 (Cafe Royal Books), a series which captured two intriguing and juxtaposing ways of life that resided in the English port town.

“In a sense, it was a silent battle they were fighting. Unlike many of the other projects I had worked on, the people of Dover seemed unwilling to confront the oncoming changes. They clearly had no intention of making the town more welcoming,” says Wiedel, recalling the challenges of the project.

“Dover proved quite difficult in the beginning, as it was hard to discover where to find people and many were reluctant to engage,” she continues. “It was mainly an ageing population, as many of the younger generations had moved on. I was initially looked at as a total outsider. They would talk to me about Dover’s history and the castle but it took time to get beyond that.”

Anne Summers show at Images nightclub

Women taking part in the Miss Dover Competition

Despite the locals’ initial reticence, Wiedel was eventually welcomed into their world of bingo halls, members-only clubs and tea dances – a world which felt frozen in time. “In Dover, the relative absence of a visible social life made [establishing relationships] complicated,” she says. “After time, I began to find those connections and institutions that people’s lives rotated around. In Dover, I found these to be more traditional English institutions and events.”

Wiedel recalls how there was an air of “unique Englishness” despite the port town being a ‘Gateway to Europe’. “Cafés had an English look from the décor to the food,” she describes. She also experienced the uglier side of this, as some of the locals “would proudly admit that they didn’t want their town ‘taken over by foreigners’”.

“They were staunchly English and were determined to remain impervious to the constant flow of traffic to and from the continent,” Wiedel says. This divisiveness posed a further antithesis between Dover at leisure, with photographs of the locals and Dover at work, with photographs at the port. Wiedel described the two subject matters as “distinct visions of Dover”.

Selling household goods on a stall at famous Sunday boot fair in Dover

Photographing the port was particularly fascinating for Wiedel. “At the ports, I was able to get some insight into the self-contained lives of the long-haul truckers, who even had solitary meal spaces on the side of their trucks,” she explains. “I was concentrating on the workings of the smaller ferries, whose future was looking grim with the arrival of the new jumbo ferries. Everyone, from the captain to the engine room workers, were very welcoming.”

“I always find the joy of being a documentary photographer is the opportunity to convey aspects of people’s lives or realities which are often overlooked or unseen,” Wiedel says. “I hope that these photographs give some access to a particular port town, at a particular moment.”