The untold stories of Britain’s Polish community
- Text by Jacob Charles Wilson
- Photography by Czesław Siegieda
For the first few years of his life, Czesław Siegieda slept under the curved metal roof of a Nissen hut, on an RAF airfield turned displaced persons camp in Leicestershire. His parents, along with 250,000 other Poles, had moved to Britain in the years following the Second World War. They were members of a generation who had seen their country ravaged by war and Soviet occupation.
Over time they formed small communities, all the while believing they were only ‘temporary guests’ in Britain. At the age of 13, Siegieda took up photography. Later, inspired by the storytelling of W. Eugene Smith, André Kertész, and Josef Koudelka, his childhood hobby became a unique work of documenting the overlooked day-to-day aspects of his parents’ generation.
“They grouped together as communities and kept their familiar traditions going,” he remembers. “They formed Polish Saturday morning schools for their children so that they could teach them the Polish language, customs, traditions, that little bit of Polish history., but more importantly, their religion – prayers, catechism and so on – so that they remained within the Roman Catholic faith.”
Speaking English at school and Polish at home, Siegieda moved seamlessly between lives. “When I was a teenager a lot of people asked whether I was Polish or English, and I honestly couldn’t make up my mind. It was such a confusing question. For me, it was quite normal to switch from one to another. I never saw myself as an outsider.”

Fawley Court, Oxfordshire, England

Tadeusz, Józef and Helena, Loughborough, England
He puts his inquisitiveness down to his informal role as a translator for his widowed mother: “I realised that gave me an ability to be sensitive around people, to observe them and to understand them.”
“When my father died I realised that they’d been through a lot – and they were fairly tough people. However, I was aware that everything I was experiencing and seeing was coming to an end when these people died, which is why I tried to take as many photographs when I could.”
The story of the first generation of Poles to live in the UK is little heard, much less seen. Siegieda explains how the community tended to look inwards, in part because of the racist prejudice they faced, but also because they saw themselves as guests in a foreign country, even as their children came to feel British and as the prospect of returning to an independent Poland diminished.
“They were biding their time without really knowing if it would come around,” he adds, finally. “When the Iron Curtain came down I didn’t really detect a sense of relief, I think they were so used to being in this country – their lives were formed in this country, their homes were here now – that they didn’t express any great wish to go back to Poland.”

Annual Corpus Christi Event, Laxton Hall, Northamptonshire

Laxton Hall, Northamptonshire

Józef waiting to go to church for his First Holy Communion, Loughborough, England

Laxton Hall, Northamptonshire

Pitsford Hall, Northamptonshire

St Briavels Polish Scout House, Gloucestershire, England

Pitsford Hall, Northamptonshire, England

Christmas nativity play rehearsal, Polish Social Club, Loughborough, England

Polish priest on his way to a funeral, Loughborough, England
Polska Britannica will be published by RRB on April 6.
See more of Jacob Charles Wilson’s work on his official website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen