Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Almeria: Europe's dirty little secret in southern Spain

Modern day slavery — Photographer Matt Moran digs beneath the surface at the world’s largest greenhouse complex, where poverty stricken migrant workers face a battle for equality.

It was while out on a job as a photographer’s assistant that I first found myself in the region of Almeria. The south-east of Spain is typically associated with Brits abroad and the allure of the Costa del Sol, but a couple of years ago I came across the 450 square kilometre expanse of greenhouses nestled away from the tourists’ eye, known by locals as Spain’s “Sea of Plastic”. It has intrigued me ever since.

1 2

Set against the barren and mountainous landscape, some reports have estimated this manmade mass supplies Europe with more than half its fruit and vegetables. I became fixated by the desolate plains, and hoped to capture and make visible the production line that keeps Europe’s salad bowls fresh. Upon returning to the UK I read a piece in the Guardian, and my image of Almeria’s greenhouses was painted in a more sinister light. The story highlighted the plight of migrant workers at the greenhouses, depicting their labour as modern slavery.

I wondered how many tourists enjoying their holidays on the coast knew about the migrant exploitation happening just a few miles down the road. Was I the only naïve one? On my next visit to Almeria, I admit I was still quite innocent of the problem, I set out to shed some light on our blindness towards the production of our food.

mattM150816_ 013 3

Over the ten days I spent in Almeria, I experienced an uneasy sense of isolation, a disconnect between the bustling tourist areas and the marginalisation permeating greenhouse life. Most locals and tourists were unaware of the appalling living and working conditions of migrants, many of whom travelled long distances in search of work only to be paid little money, if they were even paid at all.

It wasn’t easy to get the workers, my subjects, to open up, and it’s not hard to see why. Some had come from Eastern Europe, Sub-Saharan Africa and Morocco, so there was a language barrier from the get go, but I found that people were reluctant to have their photograph taken too, almost as if they were afraid of being caught.

5 mattM150816_ 012

Only one guy who appears in the project welcomed me into his home. He had built a shack to live in, and was sending the money he earned over to his family in Ghana. He was the only one who really opened up to me, introducing me to others who also described the pain and toil of working for so little to support those back at home.

Back in the UK, we would never know this kind of exploitation was occurring. I think people need to know where their food is coming from- there is still so much to learn. Personally, I wouldn’t want the food I had in front of me to have been farmed by someone who lived in a house built from vegetable crates, earning so little for their labour.

mattM150816_ 011 17 19 18 24 mattM150816_ 016

Check out more of Matt’s work

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Sophie Green
Culture

Sophie Green’s maximalist, technicolour vision of Britain’s fringes

Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.

Written by: Roxana Diba

Culture

When the Chelsea Hotel was New York’s countercultural epicentre

Closed doors, open minds — Albert Scopin’s new photobook collects photographs that were once thought to be lost, documenting the city’s creative scene that gathered during the building’s 1969 to 1971 heyday.

Written by: Miss Rosen

Huck 83: Life Is A Journey Issue

Glasgow’s Calabash is the restaurant the African diaspora call home

Home Cooking — Having been open in the heart of the city for 15 years, the Kenyan rooted eatery has become a community staple for migrants and Scottish-born locals alike.

Written by: Lisa Maru

Culture

Andrea Modica’s 40 year long Italian Story

Storia — The Italian American photographer first ventured to her ancestral country in 1987, beginning a decades long exploration and documentation of it.

Written by: Miss Rosen

Culture

Exploring Bucovina, the last wild place in Europe

Noroc! — 70% of Romania’s northern provinces are covered in ancient woodland, with its people cultivating a close relationship with the land that stretches back millennia. Jack Burke forages, eats and drinks his way around the region.

Written by: Jack Burke

Sport

War & Pieces: The race to become the world’s fastest jigsaw puzzler

The Obsessives — The UK Jigsaw Puzzle Championships see contestants turn a cosy pastime into a high stakes battleground, as they race to complete 500-piece puzzles in as little time as possible. It’s as much a feat of athleticism as cognitive quickness, reports Ginnia Cheng.

Written by: Ginnia Cheng

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.