Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Photographer uses Google Street View to document fatal shootings on Instagram

#gunviolence #everydayUSA — Photographer Michael Zbieranowski’s Someplace Else project breaks into Instagram feeds to remind us just how commonplace and everyday shootings in the US have become.

“Each time we see one of these mass shootings, our thoughts and prayers are not enough,” President Obama said after a gunman killed nine people at an Oregon community college in October. “[It] does nothing to prevent this carnage from being inflicted someplace else in America – next week, or a couple of months from now.”

In his speech, Obama also asked people to look at the statistics on how many people are killed daily by guns in the US. Photographer Michael Zbieranowski did just that and the figure shocked him: 34. “I wanted a project that shares that feeling with people,” he explains.

Borrowing a phrase from Obama, Michael started the Someplace Else project, which uses Google Street view to post a picture of each fatal shooting in the US on Instagram in real time. “Keeping these images appearing in a feed that constantly updates itself reinforces that same feeling of shock I felt when I first found out how regular it is. The idea is to show the streets, the neighbourhoods and the towns where this is happening. And it’s not next week, it’s not a couple of months away – this happened yesterday, and this will happen again tomorrow.”

Someplace-Else-screen

Sunday’s machine gun battle at a New Orleans park, in which 16 people were injured, made headlines around the world. “It’s important these things are reported internationally so we can have a global conversation about gun violence in the states,” Michael explains. “But what about the fourteen-plus people who die on average each day but in separate incidents across the country? Household guns, domestic violence, accidents, suicides, homicides or police killings. We haven’t heard about those through the same outlets, and that’s very much the idea behind this project.”

Michael uses the database at gunviolencearchive.org along with local news sources to work out where each shooting took place. He puts the archive’s geolocation information into Google Street View, then takes a screenshot of each shooting site and posts it to Instagram, publishing three days after each reported incident.

Someplace-Else-screen2

“On the surface they sit in with the stream of everyday images but that sobering message comes through in the caption,” Michael explains. “It plays on people’s expectations of what they’re going to see on Instagram. Some of the images themselves might look something you’d see on Instagram, but then the message reveals itself.”

Michael uses hashtags such as #everydayAmerica to get his images into people’s feeds as they’re browsing. “It’s about getting people to see these incidents aren’t happening in abstract locations,” Michael explains. “They’re happening in places that people are familiar with. The more people recognise the everyday, the commonplace nature of this, I think it will put more pressure on for gun control.”

Someplace-Else-screen3

A Press & Editorial Photography student at Falmouth University, Michael was inspired by the use of photographs to record violence after the act – since the birth of the medium. Alexander Gardner’s shots of American Civil War battlefields in the 1860s are some of the earliest examples, but photography continues to carry out this role today.

But with Someplace Else, there’s a twist: “The idea is these images challenge that evidential role of the photograph and they encourage more of an alternative reading of that event,” he explains. “The interesting thing about Street View is that those images were captured by the Google automated camera months or even years before the violence happened. But here it’s flipped: when you look at the images you’re seeing locations, waiting for trauma to happen, but at the same time it has already happened. So it builds that feeling of futility and we recognise our impotent response to the issue.”

Follow @SomeplaceElse on Instagram or find out more about Michael Zbieranowski’s work.


You might like

© Mads Nissen
Activism

A stark, confronting window into the global cocaine trade

Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.

Written by: Isaac Muk

© Jenna Selby
Sport

“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos

Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.

Written by: Noah Petersons

Huck 83: Life Is A Journey Issue

“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams

Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.

Written by: Josh Jones

Culture

Free-spirited, otherworldly portraits of Mexico City’s queer youth

Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.

Written by: Isaac Muk

Culture

The suave style and subtle codes of gay San Francisco in the ’70s

Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.

Written by: Miss Rosen

Culture

The stripped, DIY experimentalism of SHOOT zine

Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.

Written by: Miss Rosen

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.