Vandals and the City: Documenting London's underground graffiti scene
- Text by Oliver Zanetti
- Photography by Marc Vallée
By and for whom are cities made? In London, the answer is made visible by an urban horizon clustered with skyscrapers. The city is a servant to neoliberalism, where the financial sector and an exploding residential property market dominate the landscape. The vandals documented here undertake an alternative making of urban space, leaving their mark on the bare walls found in the city’s interstices.
As a subject matter they’re far from uncontroversial. For many, the writing of graffiti is regarded as an antisocial act of defacement, contravening both legal and moral spatial codes. This is reflected in the collection’s title and the work itself, where contrast and framing conceal the location and the identities of the writers documented. But through their recalcitrance, the writers invite us to rethink the nature of the urban order.
Contemporary staples like pop ups or the sharing economy were once envisaged as routes to the democratisation of urban space, widening possibilities for public participation. Yet, in fact, such moves have served to further entrench existing urban and economic disempowerment. Habituated to seeing the effects of their work, a glimpse of writers at work is far less common.
In witnessing their resolve in the practice of their craft, we are invited to consider the various radical ways we might all intervene to create inclusive and genuinely participatory urban public spaces.
Oliver Zanetti is a human geographer whose work examines the interface of materiality and urban space. Oliver is currently a Research Associate in the Department of Geography at the Open University.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Euphoric joy at the UK’s biggest ever anti-racism march
Together — 500,000 people marched through central London on Saturday to protest the far right and racism, followed by a packed House Against Hate rave taking place in Trafalgar Square.
Written by: Isaac Muk
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
In west London, Subbuteo is alive and flicking
London Subbuteo Club — The tabletop football game sees players imitate vintage teams with tactics and tiny painted replica kits. Ryan Loftus takes a trip to Fulham to meet a dedicated community and witness a titanic Brazil vs Coventry City showdown.
Written by: Ryan Loftus