Capturing the eerie aftermath of the Las Vegas shooting

The Travel Diary — Photographer Jane Hilton has documented Sin City for decades in all its eccentric glory. But touching down just days after last year’s tragic massacre, she was exposed to a surreal new side of the strip.

I have travelled to Las Vegas maybe 30 or 40 times in the last 25 years, photographing various projects. The contradictions of American society and the American Dream are more explicit in Sin City than almost anywhere else I’ve been.

It’s the place where the line between fantasy and reality is constantly blurred. Vegas has provided a breeding ground for characters who live out these contradictions, primed for me to photograph them. I have documented the McDonald’s style wedding culture with proclamations of everlasting happiness, the legalised prostitution in the brothels of Nevada, and pretty much everything in between.

Arriving in Las Vegas on 12 October 2017, exactly 12 days after the deadliest mass shooting in the history of the US, however, was a different experience. A lone shooter in the Mandalay Bay Hotel fired hundreds of bullets from his customised, fully automatic weapons out of the windows of his suite on the 32nd floor. He killed 58 people and injured 546 whilst they were enjoying a night of country music. My taxi driver from the airport was initially quite curt while talking about how Las Vegas was coping with life in the wake of the atrocity: “We’re absolutely fine, everything is normal.” It felt more like a statement. He didn’t want to discuss it, and who could blame him?tester tester tester tester

As we drove past the city’s landmark sign, ‘Welcome to Fabulous Las Vegas’, he slowed down so we could pay our respects. 58 white crosses, one for each victim, had been erected alongside flowers, candles, letters and flags placed down to form a memorial. The iconic sign was now steeped in irony. Vegas is surreal at the best of times, but then it felt chilling.

After checking in to the Mandalay Bay Hotel and walking towards the elevators, I was suddenly aware of the enormity of that horrific event; understanding that the shooter had carried up over 10 suitcases full of deadly weapons inside.

My room had an impressive view of the strip; at one time boasting the fastest changing skyline in any American city. I have photographed it many times. Back in the early ’90s, I used to stay on this very spot when it was the Hacienda Hotel and Casino, before the Mandalay Bay was put in its place. As I gazed down the strip with the ‘usual suspects’ of the MGM, Excalibur, New York New York etc. I could see the latest gold block in the distance labelled with the word ‘Trump’, another reminder of how surreal the world has become. But darker than all of this was the clear view from my window of the stage at the Harvest 91 festival where thousands of people had to run for their lives.

tester tester tester tester

The ‘golden hour’ – when the sun goes down at the end of the day – is always a good time for reflection and peace-making. It is a special time in many places, but nowhere I’ve been is so magical in the light of the dusky setting sun than when looking out behind the mountains in Las Vegas with the neon starting to glow. I found myself drawn, like hundreds of others, towards the emblematic sign at the beginning of the ‘strip.’ Tourists and mourners alike were mixed together while paying their respects to the dead. I have never witnessed such a paradox, people jumping in the air taking selfies on their phones while others lit candles and said prayers.

Despite everything that Vegas has been through it still manages to give people a feeling of hope. It’s what they call the American Dream. I plan to return at the end of this month.

tester tester tester tester tester tester Hashtag VegasStrong tester tester

Check out more of Jane’s work on her website, and follow her on Instagram.  

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Latest on Huck

Smiling person in black wetsuit riding surfboard on calm ocean with rocky hills in background.
Sport

Maryam El Gardoum is breaking new shores for Morocco’s indigenous surfers

The Amazigh Atlantic — Through her groundbreaking career and popular surf school, the five-time Moroccan champion is helping women find their places in the waves.

Written by: Sam Haddad

Dimly lit underground carpark, long winding corridor with concrete walls, floor, and pipes above.
Activism

Youth violence’s rise is deeply concerning, but mass hysteria doesn’t help

Safe — On Knife Crime Awareness Week, writer, podcaster and youth worker Ciaran Thapar reflects on the presence of violent content online, growing awareness about the need for action, and the two decades since Saul Dibb’s Bullet Boy.

Written by: Ciaran Thapar

Colourful embroidered jackets worn by two people, with skateboarder visible in background. Bright colours and graphic designs on the clothing.
Sport

Volcom teams up with Bob Mollema for the latest in its Featured Artist Series

True to This — The boardsports lifestyle brand will host an art show in Biarritz to celebrate the Dutch illustrators’ second capsule collection.

Written by: Huck

Black and white image showing a group of shirtless men socialising, some laughing.
Culture

A visual trip through 100 years of New York’s LGBTQ+ spaces

Queer Happened Here — A new book from historian and writer Marc Zinaman maps scores of Manhattan’s queer venues and informal meeting places, documenting the city’s long LGBTQ+ history in the process.

Written by: Isaac Muk

Four persons - three women and one man - posing outdoors. The women are wearing elaborate clothing and jewellery.
Culture

Nostalgic photos of everyday life in ’70s San Francisco

A Fearless Eye — Having moved to the Bay Area in 1969, Barbara Ramos spent days wandering its streets, photographing its landscape and characters. In the process she captured a city in flux, as its burgeoning countercultural youth movement crossed with longtime residents.

Written by: Miss Rosen

A person wearing a black cap and holding a sign that says "What made me"
Music

Tony Njoku: ‘I wanted to see Black artists living my dream’

What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s avant-garde electronic and classical music hybridist Tony Njoku.

Written by: Tony Njoku

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.