Video: One woman's experiences as a Syrian refugee – Part Two

Revisiting Hamadi sixteen months on — In the sixteen months since Hamadi's journey from Syria to the Netherlands was chronicled by director Liz Mermin, her home country has continued to implode and European response towards its refugees has grown increasingly hostile. Meanwhile, Hamadi's personal life has undergone major changes.

The conflict in Syria has been raging since 2011, killing 250,000 people and forcing a staggering 4.8 million Syrians to seek help and refuge in neighbouring countries and in Europe. Of the 450,000 to be granted asylum in Europe, 7,500 have made the Netherlands their new home.

One of those was Hamadi, who was forced to say goodbye to her comfortable, middle-class existence in Syria when the country became too unsafe to live. Selling everything they had, Hamadi and her family were able to flee to Turkey, before traveling further still to the Netherlands due to its ‘family reunification’ policy. Her story was told in a short documentary which can be viewed here.

Sixteen months later, director Liz Mermin and the Thomas Reuters Foundation returned to Hamadi to follow up on her journey. While her personal life had undergone enormous changes in the interim, and her grasp of Dutch had greatly improved, Hamadi continues to pine for the life she once had back in Syria.

Mermin spoke to Huck about her reunion with Hamadi, and the radical changes in Europe’s treatment of refugees in the intervening sixteen months since they last met.

What compelled you to return to Hanadi’s story?

Refugees remain refugees for a long time: the story doesn’t end when they’re granted asylum. The Syrians who are allowed to settle in Europe will, despite what most of them would wish, probably be here a long time. Hanadi was trying so hard to be positive about her new life, and had such energy and determination, I wanted to see how that spirit held up to the realities she would face: the challenge of learning the language, finding work, finding friends, fitting into the community.

I was also curious how her marriage had fared. And, indeed, away from judgmental friends and relatives, she was able to get a divorce – and was very happy about that.

What did you feel had changed in the intervening months, both for Hanadi and Europe as a whole?

Even while we were filming a prominent Dutch politician came out and said Syrians should all be sent back. The tide has turned in the European public’s attitude towards refugees. But we didn’t see much of that in the two days we filmed with Hanadi. She was more worried about getting on with her life, and about her family back in Damascus, then she was about attitudes towards Syrians in the Netherlands.

Perhaps this was a benefit of a small town: people mind their own business. It’s probably also easier for her as a woman. Her son, an engineer, used to work in airports – and he said, “No one will let me near an airport in Europe now.”

The humiliating realities of having to start again really came through. Yes, Hanadi and her family are safe, they have a home, and they are eternally grateful for that; but they are isolated from their loved ones and very worried for their safety. They have to start again, feeling their way through a foreign language and struggling to be offered the most menial jobs, while all around them people act like they are receiving special privileges.

I found Hanadi’s relentless optimism in the face of all this inspiring, but her constant smile should not be interpreted as a sign that she is content. How could anyone be, when their country is being destroyed and their relatives could be killed at any moment?

Watch Starting Over: A Syrian’s New Life in the Netherlands above, courtesy of the Thomas Reuters Foundation.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

A young woman in a white blouse and shorts standing on a beach with a sign that says "What made me" in large text.
Music

BODUR: “I’ve always spoken out rather than assimilating”

What Made Me — In this series, we ask artists and rebels about the about the forces and experiences that shaped who they are. Today, it’s SWANA-championing pop experimentalist BODUR.

Written by: BODUR

A man holding a sign that says "Gay is Good" in front of his face.
© Fred W. McDarrah/MUUS Collection
Culture

No one captured Greenwich Village’s heyday like Fred W. McDarrah

Pride and Protest — As the first staff photographer for the legendary Village Voice, the documentarian found himself at the heart of the Beat Generation, the Gay Liberation movement, and the AIDS pandemic. A new exhibition dives into his important archive.

Written by: Miss Rosen

Two individuals wearing bold, graphic fashion featuring geometric patterns and stripes in contrasting black, white, and orange colours.
Huck: The London Issue

Krept & Konan cover Huck’s new digital issue, focusing on our home city

The London Issue — As we gallop into a hyperconnected age, we think it’s never been more important to engage with our local surroundings. So, we’ve put together a special magazine, exclusively for our Apple News subscribers, to celebrate London and its unending vibrancy.

Written by: Isaac Muk

Sport

On the sidelines with Rise United, the football club redefining Asian identity

Football, family style — Blending creativity on and off the pitch, the London ESEA+ grassroots team is providing its burgeoning community with spaces to express, and be, themselves.

Written by: Isaac Muk

Music

Greentea Peng: “Everyone’s trying to drown us in dread”

TELL DEM IT’S SUNNY — As the psychedelic singer gears up to release her darkest record yet, we caught up with her to talk about making a record fit for the times, the fallacy of healing in the west, and a grassroots charity venture that we should all be aware of.

Written by: Isaac Muk

© Sakir Khader, Magnum Photos
Activism

Sakir Khader’s wrenching, resilient portrait of Palestinian life

Yawm al-Firak — Last year, the photographer became the first Palestinian member of the famed Magnum Photos agency. His new exhibition is a sharp window into the life under occupation, displacement and atrocities.

Written by: Zoe Whitfield

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.