Video: War photographers reveal the long-term trauma of their difficult profession
- Text by Adam White
- Photography by Donna Ferrato
“A death unrecorded is a death forgotten.” These are the words of Joao Silva, one of six conflict photographers chronicled in a six-part series of documentary shorts, Conflict. It’s the latest work by New York-based production house Redfitz Films, designed as a series of monologues by prolific photographers of different forms of conflict.
The films explore the harrowing psychological toll conflict takes on those who feel a responsibility to shoot it, and their varying responses to whether photographing scenes of war and violence have had any real power.

Silva talks of the personal cost of his experiences as part of the Bang-Bang Club, the photographer collective that documented the very end of Apartheid in early ’90s South Africa. Photojournalist Pete Muller describes his process, Donna Ferrato explains how a chance documentation inside an abusive home led to a career photographing domestic violence, and Robin Hammond talks of the horrors he has witnessed while chronicling the thousands of victims of rape in the Congo. The three speak of the value of conflict photography, and the need to educate the Western world about violence that would otherwise go ignored.
But photographers Nicole Tung and Eros Haogland come at their profession differently. Tung speaks through tears as she recalls her experiences photographing the conflicts in Syria alongside the late James Foley, killed by ISIS militants in 2014. “I have this privilege to see humanity at its best and worst and everything in between,” she says. “But I don’t think doing this is ever worth your life.” Haogland echoes similar sentiments, recalling the many friends and family he has lost while photographing the drug wars and political corruption in Mexico, and pondering the usefulness of his profession. “My pictures don’t speak, they whisper.”
Provocative, unflinching and cinematic, Conflict is available to watch in its entirety at Redfitz.com
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

In photos: Bin jousting, happiness and wholesome humour at Bloodstock 2025
Derbyshire doom — At first glance, the UK’s heaviest metal festival may not seem like a particularly warm affair. But metalheads are some of the nicest music fans in the country, and Chris Bethell was there to capture the fun and funnies of the weekend.
Written by: Isaac Muk

“Humanity’s big threat is our disconnect from nature”: Craig Richards and Chris Levine in conversation
Lighting up — With Houghton Festival collaborating with artist Chris Levine in its most recent edition, we sat down with the light artist and the festival’s creative director Craig Richards to chat about their new installations, and the role of art and music in tumultuous times.
Written by: Isaac Muk

Three heart wrenching poems from Gaza
Writings that narrate — With Gaza’s population facing starvation, we are handing over our website to Yahya Alhamarna, a displaced poet and student in Gaza, who shares some of his recent poetry, and explains why writing is so important to him.
Written by: Yahya Alhamarna

Throwback portraits of the UK’s first punks
Punks 1978-1980 — While working as a photographer in the army, Wayne “Spike” Large would moonlight as a punk on the weekends. His new photobook revisits the characters that he captured from the genre’s heyday.
Written by: Miss Rosen

Meet Lady Pink, the ‘First Lady’ of graffiti
Miss Subway NYC — As a leading writer and artist in a man’s world, Sandra Fabara has long been a trailblazer for girls in underground art. Now, her new show touches on her legacy, while looking to the future.
Written by: Isaac Muk

Will internet age verification actually work?
VPN Summer — With the Online Safety Act coming into force over the weekend, the UK woke up to find pornography, but also any content deemed “harmful” hidden behind an ID wall. But young people are far too tech savvy to be deterred, explains newsletter columnist Emma Garland, who also warns of the dangers of mass data harvesting.
Written by: Emma Garland