Bikers, punks and metalheads: The secret side of Vietnam
- Text by Biju Belinky
- Photography by Neil Massey
Neil Massey was a teenage punk-rocker. That’s why, when he stumbled into his first metal show in Vietnam 20 years later, he felt compelled to start photographing. “It seemed that anybody who was alternative or different to the rest of society was here at these shows,” the British photographer says of his first experiences in the Saigon scene, back in 2009. “Family is the most important aspect of life in Vietnam – far more tight-knit and interdependent than in the West. In Vietnam your identity is intrinsically linked to the family, so to break away from this unit, ideologically, when coming of age is a big deal.”
Massey became a frequent fixture in the local shows, attending them as often as they happened, digital camera in hand. After a while, Neil switched to heavy contrast black and white film, and by 2014, he had Bloody Chunks – one of the four zines composing his latest work, The Vietnam Collection.
TVC is a comprehensive photographic account of Neil’s time in Vietnam, capturing the beauty in the everyday of Saigon’s bustling streets. Bloody Chunks, Untitled, Sống and MONOBLOC are divided thematically and were shot over different time frames in different cameras, each zine exploring a subculture (metalheads, bikers) or some aspect of the Vietnamese landscape that stood out to the photographer over the course of six years.
For Neil, it was fundamental that the people designing the zines lived in Vietnam. So, once the final edit was through, Neil collaborated with the local Rice Creative for the final formatting.
The Vietnam Collection is Neil’s first self-published work, but it is definitely not his first encounter with the independent press. That happened in the mid-80s in the shape of Propaganda – a zine founded in 1982 chronicling all about the American goth scene. “In August 1990 when I was in the throws of rave culture I read a story in i-D magazine about this party paradise on an island in Thailand called ‘Ko Pha Ngan. Two months later I was there with a camera, documenting the full moon parties.”
As for recommendations? “Anything out of Cafe Royal Books – The Black Power Black Panthers 1969 to name one. Burma by Sophie Stafford, Made in China by Tripod City and Concrete Sex by Sasha Kurmaz.”
The Vietnam Collection by Neil Massey is out now. You can see more of Neil’s work on his website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Jesse Glazzard’s messy portrait of queer friends, lovers and chosen family
The Sound of Dirt and Beauty — The photographer’s debut monograph explores tender, unpolished moments shaped by the people who he surrounds himself with, while offering a window into the UK’s working-class LGBTQ+ community.
Written by: Sunny Sunday
Behind the curtain at Alternative Miss World 1981
Olympia glamour — Running a subversive take on the traditional beauty pageant, the Andrew Logan organised event prioritised underground creativity and invention. Photographer David Corio went behind the scenes at its biggest edition.
Written by: Miss Rosen
New exhibition highlights British radical living over 200 years
Earthly Paradise — Taking place at the William Morris Gallery, it explores the homes and lives of artists, writers, musicians and more, as well as the conditions that allowed them to thrive.
Written by: Isaac Muk
What life on the Strait of Hormuz is really like
Southern Winds — Bandar Abbas based photographer Morteza Niknahad has been capturing the diverse communities and stories of his local region since he first picked up a camera. His new series highlights the human impact of war.
Written by: Isaac Muk
Nick Haymes’s intimate portrait of his family’s life
Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.
Written by: Miss Rosen
Kristina Rozhkova’s scatty, confronting portrait of captivity
Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.
Written by: Isaac Muk

