Vintage ’80s Polaroids of Amsterdam’s barflies | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Vintage ’80s Polaroids of Amsterdam’s barflies

Going underground — From gay bars and discos to old-school bruin cafés and red-light district taverns – Marc H. Miller and Bettie Ringma’s portraits capture the hidden soul of the city.

In spring 1979, Bettie Ringma and Marc H. Miller moved from New York’s Lower East Side to Amsterdam. The newly arrived couple had already become known on New York’s downtown art scene, taking “Paparazzi Self-Portraits” with the new Polaroid SX-70 instamatic camera, and giving the world a taste for instant gratification.

In search of a way to support themselves in a new city, they remembered a photographer hustling Polaroid portraits at Coney Island and decided to test the waters. “We tried first at Zandvoort Beach but it was too much work,” Miller recalls. “The sand was potentially deadly for the camera so we moved to the nightclubs and it clicked right away.”

For next two years, they made the rounds five or six nights a week, shooting anywhere from 30 to 100 portraits a night of locals at old-school bruin cafés, Turkish cafés, soccer bars, gay bars, discos, red-light district bars, and tourist traps. They describe the portraits as “tronies,” comparing them to 17th-century tavern paintings by artists like Adriaen Brouwer who painted typological portraits very similar in spirit.

Bar girl with live snake at Chez Tony

Bar girl with live snake at Chez Tony

Long before digital photography, the Polaroid SX-70 was the perfect way to get your portrait on the spot. “There are people that want the affirmation of the photos, and the opportunity to get pictures of people they knew primarily through bars and clubs,” Miller observes.

“It’s a little bit theatrical because when we’re taking a picture, the bar doesn’t completely stop but there’s a lot of attention on the process and some of the characters in these bars used that to assert their presence. There are people that want the affirmation of the photos.”

Customer and performer at Mdm Arthur

Customer and performer at Mdm Arthur

Now, nearly 40 years after they were first taken, the photographs will be on view in Amsterdam Polaroids, an exhibition at Stigter Van Doesburg Gallery, Amsterdam (January 13 – February 17, 2018). The pictures give us the perfect slice of life, from the beautiful animeermeijes (bar girls) and the regulars who stop in for a drink, to the immigrants working at local brothels have a cool one after a hard night’s work.

The desire to preserve the moment in time with a Polaroid has been so strong that even though digital photography helped put the fabled camera company out of business for a while, the tradition lives on. “To this day people come by with roses and a Polaroid camera,” Miller observes with a laugh. “Bettie and I can take some credit for that.”

Monique and Majar at Cafe Festival

Monique and Majar at Cafe Festival

Photographer Bettie with a man with a big knife on the Zeedijk.

Photographer Bettie with a man with a big knife on the Zeedijk.

At the Turkish bar Cascade

At the Turkish bar Cascade

Bar girl Nettie at Cafe Mascotte

Bar girl Nettie at Cafe Mascotte

Drinking Group at the Old Bell Inn

Drinking Group at the Old Bell Inn

Fifi, the French bar girl at the Mexican Saloon

Fifi, the French bar girl at the Mexican Saloon

Couple at Jazzland

Couple at Jazzland

Ricky and Gigi at the transvestite bar Mdm Arthur

Ricky and Gigi at the transvestite bar Mdm Arthur

Amsterdam Polaroids is running at the Stigter Van Doesburg Gallery in Amsterdam from January 13 to February 17, 2018. See more of Miller and Ringma’s work on their official website.

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter. 


You might like

Culture

Halcyon, end of summer days in ’80s Massachusetts

Bell Pond — Stephen DiRado’s new photobook is a nostalgic look at blissed out moments of young love, family and coming of age at a swimming pond in Worcester, Massachusetts.

Written by: Miss Rosen

Bronx, New York City, NY. July 20th 1972. 
Members of the New York street gang Savage Skulls. The trademark of the, primarily Puerto Rican, gang was a sleeveless denim jacket with a skull and crossbones design on the back. Based around Fox Street, in the popular South Bronx neighborhood, the gang declared war on the drug dealers that operated in the area. Running battles were frequent with rival gangs Seven Immortals, and Savage Nomads.
Activism

Photographing America’s 20th century rebels

Rebels With a Cause — A new monograph looks back at Jean-Pierre Laffont’s extensive archive documenting counterculture, art, activism and more, shaping the country as it is today.

Written by: Isaac Muk

Culture

The groundbreaking photography of Gordon Parks

Voices in the Mirror — A new exhibition dives deep into the legendary lensman’s archive, who captured the Civil Rights Movement and Black America like no other.

Written by: Miss Rosen

© Melonie Bennett
Culture

A chaotic portrait of an ’80s American farming family

Holy Cow! — Melonie Bennett grew up on a farm in Maine in the ’80s, and documented her family’s idiosyncratic daily life. She presents those humorous, everyday memories in a new exhibition and photobook.

Written by: Miss Rosen

“It’s been hard Anthony. I’ve a photo of you three together, and it’s not being disrespectful for you, you’re on t’ end, and I bent it over because it upset me that much I couldn’t look at that photo. And it’s the only photo I’ve got of you. Even now the photograph does upset me because it brings back awful memories of what your dad did to us. I mean I’m not ashamed of the photo.
Culture

Nick Danziger’s striking vision of everyday British life in the ’90s

The British 1994-1999 — The renowned photojournalist returned to his birth country on the cusp of the Millennium, capturing its contradictions with humour and wit.

Written by: Miss Rosen

Culture

Exploring girlhood and land ancestry in Sudan’s cotton fields

Cotton Queen – A new feature debut from filmmaker Suzannah Mirghani explores the legacy of colonialism and the fight for self-determination through the tender eyes of a teenage girl.

Written by: Roxana Diba

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.