Vodun are about to unleash the spirits at Afropunk London

Vodun are about to unleash the spirits at Afropunk London
Following the eternal beat — Voodoo-inspired heavy metal three-piece Vōdūn are channeling the screams of Mother Earth and the pounding drums of Ouidah.

Forged in fire, steel and blood, Vōdūn are a diverse collection of spirits who come together in a high-energy explosion of noise.

Vocalist Oya, drummer Ogoun and guitarist The Marassa draw on the legends of West African Vodun (the root culture for offshoots in the Americas, Haitian voudou, Louisiana voodoo, etc.) and the religious practices of the Afro-diaspora to celebrate these often misunderstood, ancient spiritual traditions.

Ahead of their set at the first Afropunk London this weekend, we caught up with the soulful London-based tribe to talk animism, influences and their latest album, Possession.

How did you guys develop your unique vibe? Tribal hype?
Ogoun: From a songwriting point of view, it’s all quite open. The influences are quite vast and wide, but we try and keep rhythmically an Afrobeat undertone to it. That’s something that really interests me as a drummer.

But also the whole notion of vodun has been demonised in Western culture and we want to bring more of a positive light to it. We think animism [worldview that entities in nature—such as animals, plants, and often even inanimate objects—possess a spiritual essence] generally is quite a cool concept.

Why is it so misunderstood?
O: It’s just demonised. People see these voodoo dolls and movies based around the horror aspect of it, but there’s a lot more going on than that. It’s quite a feminist concept actually, and there’s different gods to represent different things within the religion. It just seems like a very earthy, ancient religion and is something that resonates with us.

Also, the aesthetics tie in with the band, we all dress up, paint our bodies and get into the vibe of it. It’s just quite a good holistic experience really.

ZelFire

Who are your top three biggest influences – musical or otherwise?
The Marassa: My number one influence is probably Motorhead, and heavy metal in general. Being a guitarist, it’s what I base most of my work around. I guess we draw influence from everything. With Vodun you kind of draw it from the elements and the feelings and the emotions and vibes of what it is being created in the room.

O: Oya tends to write a lot of her lyrics around different concept or different aspects of the whole vodun religion, and will write from that starting point. In terms of music, I write a lot of afrobeat stuff and try to make it heavier, to fit with the vibe of the band.

And one more non-musical influence maybe?
O: The Spanish film director Pedro Almodovar. He’s just a really solid feminist, I guess. All his films are from the female perspective and the experiences are sometimes quite dark, sometimes they involve a lot of humour. So, I think that’s one of the things that we try to draw into the band; even though we’re dealing with a serious subject, we don’t take ourselves too seriously with it, you know?

I’ve seen your video – it’s pretty high energy. What do you want people to take away from your shows?
O: It ties into the title of the album, Possession, which is about the vodun experience of being possessed and completely giving yourself over to a higher power. With music it’s a similar thing. I think people can just let their defences down and feel free, and hopefully get completely absorbed in the music.

It’s the first Afropunk in London – why should we be stoked?
O: Well, we are really stoked. I remember being in New York a few years ago and seeing the lineup at Afropunk in Brooklyn.

There it began as a free festival and it happened a few days after I was leaving NYC, and I was so gutted. But, since then, Afropunk have been so supportive towards us, pushing the album and pushing our videos.

Their whole vibe is really open and welcoming. We wanted to play at Afropunk in Paris but it didn’t work out so we’re super excited about playing it here in the UK. We’re looking forward Young Fathers, who I saw in Melbourne a few months ago, and who are fucking amazing live – on a record too, but especially live. Obviously Grace Jones and Akala will be incredible too. It’s just going to be a really good all day experience.

Afropunk Festival London takes place on 24 September 2016 at Alexandra Palace. 

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

How trans rights activism and sex workers’ solidarity emerged in the ’70s and ’80s
Activism

How trans rights activism and sex workers’ solidarity emerged in the ’70s and ’80s

Shoulder to Shoulder — In this extract from writer Jake Hall’s new book, which deep dives into the history of queer activism and coalition, they explore how anti-TERF and anti-SWERF campaigning developed from the same cloth.

Written by: Jake Hall

A behind the scenes look at the atomic wedgie community
Culture

A behind the scenes look at the atomic wedgie community

Stretched out — Benjamin Fredrickson’s new project and photobook ‘Wedgies’ queers a time-old bullying act by exploring its erotic, extreme potential.

Written by: Isaac Muk

“Welcome to the Useless Class”: Ewan Morrison in conversation with Irvine Welsh
Culture

“Welcome to the Useless Class”: Ewan Morrison in conversation with Irvine Welsh

For Emma — Ahead of the Scottish author’s new novel, he sat down with Irvine Welsh for an in-depth discussion of its dystopic themes, and the upcoming AI “tsunami”.

Written by: Irvine Welsh

“Struggle helps people come together”: Sharon Van Etten & The Attachment Theory
Music

“Struggle helps people come together”: Sharon Van Etten & The Attachment Theory

Huck’s February interview — To hear more about the release of the indie darling’s first collaborative album, we caught up with her and Devra Hoff to hear about the record, motherhood in music and why the ’80s are back,

Written by: Isaac Muk

Nxdia: “Poems became an escape for me”
Music

Nxdia: “Poems became an escape for me”

What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s Egyptian-British alt-pop shapeshifter Nxdia.

Written by: Nxdia

Kathy Shorr’s splashy portraits inside limousines
Culture

Kathy Shorr’s splashy portraits inside limousines

The Ride of a Lifetime — Wanting to marry a love of cars and photography, Kathy Shorr worked as a limousine driver in the ’80s to use as a studio on wheels. Her new photobook explores her archive.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now