What we learned from The World Transformed 2019
- Text by Ben Smoke
- Photography by The World Transformed
The World Transformed is an annual four-day politics, music and art festival that takes place alongside the Labour Party Conference. With panel discussions, workshops, talks, parties and policy labs, it’s a hub for left-wing activists and campaigners.
The first iteration of the festival happened in Liverpool in 2016, in reaction to Jeremy Corbyn’s shock election as party leader the year before (and the political infighting that followed). The festival has since sought to provide a space for those on the left to imagine a world, transformed.
This year was its biggest yet, with organisers creating their own festival hub in Brighton’s Old Steine Gardens. There was a community kitchen, a bar, an activities tent, and even a ‘Museum Of Neoliberalism’ (which is transformed into a space for rallies and panels in the evenings). In the centre of it all was a large mockup of the ‘Hollywood’ sign, which instead spelled out the word: ‘SOCIALISM’.
Across the city, venues, bars and cafes were all hired by the festival, with a full programme of sessions being rolled out across the weekend. Speakers included Maya Goodfellow, Ken Loach, Ash Sarkar, Diane Abbott and Jeremy Corbyn, as well as activists and organisers from a broad spectrum of grassroots campaigns. Here’s what we learnt from the 2019 edition.
KEEP THINGS LIGHT
The juxtaposition of silliness and serious politics was a theme reflected throughout the festival. Panels about Violence against Women and Girls and the hostile environment were billed on the same day as a “sex-witch anarchy variety hour”.
On Sunday evening, at Concorde 2, a seafront bar and venue in the city, Novara media journalists Ash Sarkar and Michael Walker hosted a variety show with various members of the Labour Party (including Shadow Home Secretary Diane Abbott). The evening was rounded off by an appearance from Shadow Chancellor John McDonnell, who stood and spun a ‘wheel of public ownership’’. He would then detail his plans for the nationalisation of various industries, including the arms trade and Greggs.
POWER IS WITH THE PEOPLE
It was in Komedia, a packed out Brighton basement venue, that the true spirit of the festival was found. On Tuesday Afternoon, John McDonnell was joined by editor of Red Pepper Hilary Wainwright, ex-Labour leader Ed Miliband, director of CLASS and PPC Dr Faiza Shaheen, and festival communications co-ordinator Hope Worsdale for a session called ‘Launching a Manifesto for the Movement’.
“The main purpose of this session is to hear from you and the content of the policies you worked on together,” said Hilary Wainwright. “Process is often as important as policy, as it builds the knowledge and people power to make those policies happen. Under Blair, those processes were shut down, closing off any participation from members.”
“True power lies with the grassroots,” Hope Worsdale continued. “In that spirit, over the last four days, we’ve run 10 policy labs on different issues. Activists, trade unionists and party members have come together to generate a shared vision of what a truly transformative manifesto looks like. Today, we’re here to pull all of those different policy labs together to present the first ever TWT people-powered manifesto.”
What followed was the creation of a manifesto that was built openly by actual people, rather than through dodgy backroom deals. In previous sessions over the week, each facilitated by someone with a specific stake or knowledge base in a certain area, participants drew out huge mind maps, before boiling down ideas and suggestions into policy priorities. The most important issues among attendees were the NHS, education, transport, drug reform and climate.
BE MORE RADICAL
One of the biggest stories of the Labour Party conference was the passing of a Green New Deal motion, which called for a target of zero net carbon emissions by 2030 and a ban on fracking. At the TWT policy lab, those in attendance called for it to go further – with proposals for the cancellation of global debt, an international ecocide court to be established, and the dismantling of the arms industry. Paid and unionised green jobs were also a huge priority.
Those in TWT’s education session called for an end to all standardised testing until the age of 18, while proposals to decriminalise all drugs and move the policy remit for drugs from the Home Office to Health were also presented. Although these were just ideas, those organising and attending the sessions hoped that they would make it to the conference floor in coming years.
This radicalism, powered by activists rather than party officials, was exactly what the TWT organisers had hoped to foster when the festival was first started four years ago. It seems to be having an influence, too: the policies passed by Labour Party conference represented some of the most radical passed by a party conference in generations. Alongside plans to abolish private schools, implement a four-day working week and a radical green new deal, campaigners for free movement managed to unanimously pass a motion to protect and extend free movement, end the hostile environment and close all detention centres.
LOOK TO THE FUTURE
Even with the most radical and left-leaning Labour party leadership in almost 40 years, it’s still necessary for those on the left to come together to apply pressure and ensure transformative ideas for a better world are heard and included in party policy.
It’s why this year, the festival will launch an education and outreach programme. The idea is the discussions and ideas generated by the festival don’t end with the closing of Labour Party conference, but continue across the country, all year round.
Once live in a few weeks, the programme will include templates for popular panels online, making them available for anyone to run, as well as offering help and support in accessing speakers and facilitators.
As Ed Miliband said on a panel over the weekend: “There’s an old cliche that you campaign in poetry, but govern in prose”. With events like TWT, and their outreach programme, the hope is some of that poetry – laced with the language of the movement – will make the leap across, and infuse the next Labour administration with the lyricism of radicalism that this country so desperately needs.
Follow Ben Smoke on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Inside Parkuir: the art project queering sport, space and our bodies
Lie and play — Founded by Maria Laudes and Guiu Gimeno, it provides a framework for engaging, subverting, and celebrating the small details that make people unique – and queer.
Written by: Molly Lipson
In the pit at one of the UK’s last stock car & banger speedways
Stock Car Racing Isn’t Dead — Photographer Liam McCarthy spent time in and around the Arlington Raceway’s circuit, capturing the diehard community that keeps the sport alive.
Written by: Isaac Muk
Tender portraits of women serving life sentences in America
Looking Inside — While working as a public defender attorney in New York State, Sara Bennett found dilapidated prisons and forgotten people. Her new photobook harnesses the power of images and shines a humanising light on those imprisoned for serious crimes and their reintegration into society, while asking questions of the USA’s incarceration system.
Written by: Miss Rosen
Activists replace Union Jacks with ‘Tax The Rich’ flags in Farage’s Clacton
Take Back Power — It comes after the Reform UK leader resigned as an MP and triggered a by-election in the constituency, following scrutiny over a £5 million donation that he had not declared.
Written by: Ella Glossop
Tish Murtha’s searing documentation of broken Britain
Vandalism on a Grand Scale — Capturing youth unemployment and poverty in north-east England during the ’80s, the photographer never lived to see her work published. A new photobook by British Culture Archive brings her eye-opening work to light.
Written by: Miss Rosen
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White