Black and white portraits of Africa's nomadic outsiders
- Text by HUCK HQ
- Photography by Winfried Bullinger
In Winfried Bullinger’s new book, At The Edges Of Power, viewers are taken on a journey through Africa’s remote rural regions. Armed with an analogue camera, the photographer shoots the nomads of the continent; capturing cattle herders and hunters who have been marginalised and forgotten by their societies.
The photographs were taken over a 10 year period in Sudan, Ethiopia, Kenya, Uganda, Tanzania, and the Central African Republic. Bullinger built up relationships with each of his subjects during this time, returning to shoot their situational changes. His photographs show a side of Africa that is rarely seen by Western society – one that is fraught with tension, armed conflicts, and a rapidly changing climate.
“For my portrait pictures I use daylight, no flash,” Bullinger explains. “The longer exposure time needed for daylight corresponds to my notion of making an image. It influences the picture’s impact.”
“Shadows, even in the faces that are turned toward me, give people their own idiosyncrasies and a sense of mystery. I avoid showing them in any way that is not in accordance with their everyday lives. Especially the dark sections, such as the shaded gazes, have a contextual meaning for me in the portraits. They say something about the daylight, the time of year, and the place where we met. Natural light on the face of a person in a portrait is never the same.”

Afar (Danakil) 2012 © Winfried Bullinger

Nuer (Akobo) 2011; © Winfried Bullinger

Ik (Kaabong) 2013 © Winfried Bullinger

Berta (Kurmuk) © Winfried Bullinger

Hadza 2014 © Winfried Bullinger

Afar (Awash) 2016 © Winfried Bullinger

Dassanech 2014 © Winfried Bullinger

Dassanech 2016 © Winfried Bullinger

Dassanech 2014 © Winfried Bullinger
Winfried Bullinger’s At the Edges of Power is published by Hatje Cantz.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph