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Han Nightingale

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Culture

Inside the fight against Japan’s ‘nuisance streamer’ epidemic

The business of brain rot — Taking advantage of a culture of tolerance and unwritten social rules, streamers searching for virality are increasingly targeting the far east country with outlandish stunts and pranks. As outrage builds towards foreign creators, ‘responsible streamers’ are speaking up.

Written by: Sophie Holloway

Black and white collage of people with bright yellow "STREET JUSTICE" text overlaid in centre.
Culture

As Kneecap and Bob Vylan face outcry, who really deserves to see justice?

Street Justice — Standing in for regular newsletter columnist Emma Garland, Huck’s Hard Feelings host Rob Kazandjian reflects on splatters of strange catharsis in sport and culture, while urging that the bigger picture remains at the forefront of people’s minds.

Written by: Robert Kazandjian

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Culture

Inside the weird world of audio porn

Porn without pictures — Storyline-driven and ethical, imageless erotica exploded during the pandemic. Jess Thomson speaks to the creators behind the microphones.

Written by: Jess Thomson

Saturated green and white image of a person's face with text overlay stating "CAPITALISM IS EXPLOITATION, PERIOD"
Music

Yaya Bey: “Capitalism is exploitation, period”

do it afraid — Ahead of the release of her second 18-track odyssey in just over a single year, we caught up with the prolific singer, discussing the pitfalls of the music industry, European ‘voyeurism’ framing her previous album and breaking narratives set upon her by others.

Written by: Isaac Muk

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Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

Cello player and bearded man seated with text 'Spaces Between the Beats' in the background.
Music

After Assad’s fall, Syria’s musicians rebuild from the rubble

Spaces Between the Beats — Following decades of dictatorship and 14 years of civil war, the country’s classical and creative scenes have an opportunity to build from scratch. Andrei Popviciu speaks to the people hoping for a flourishing new era of art and sound.

Written by: Andrei Popoviciu

Vibrant book covers against bleak, rocky hills and buildings; 'Babylon' and 'Albion' text in bold lettering.
Culture

Dalia Al-Dujaili: “When you’re placeless, nature can fill the void”

Babylon, Albion — As her new book publishes, the British-Iraqi author speaks about connecting with the land as a second-generation migrant, plants as symbols of resistance, and being proud of her parents.

Written by: Zahra Onsori

Quote on green background: "As much as the social contract is lost, there's a freedom"
Music

James Massiah: “As much as the social contract is lost, there’s a freedom with that”

Bounty Law — With the release of his latest album, we sat down with the rapper-poet to chat about his new sonic Western, the boom in alternative poetry events, and whether the social contract is broken.

Written by: Isaac Muk

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Angela Hui

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