From streaming DJ sets in their kitchen during lockdown to the stage at Wembley arena Queer House Party have taken the world by storm whilst always staying true to who they are.
DIY designs — A new book celebrates the power of the DIY party flyer – homemade designs which helped transform the city’s dance scene.
It’s been six years since homosexuality was effectively criminalised in Nigeria. Despite this, LGBTQ people in the country are still finding ways to meet, hook up and have fun.
Vision over profit — From funeral reenactments to mariachi bands: events like The White Hotel and Fat Out want to introduce more challenging, political and philosophical ways of partying.
After dark — In the new exhibition, Arlene Gottfried: After Dark, the artists takes us into the nightclubs, strip joints, dive bars, and drug dens of the ’70s.
New age nostalgia — From 1990 to 1995, Tree Carr roamed the country documenting her psychedelic adventures on a disposable camera.
A love letter to ’90s rave — In the new film Beats, director Brian Welsh travels back to 1990s Aberdeen to tell the story of rave culture – why it mattered, and how it got torn apart.
140 beats per minute — This week, the Tate Modern is celebrating the aesthetics of the country’s rave scene, with an evening of films focused on the movement‘s key figures.
Going underground — Palestine Underground is a new, Boiler Room-produced film that examines the state’s flourishing nightlife culture.
100 Club Stories — As the 100 Club celebrates its 75th birthday this year, Ditto Press founder Ben Freeman reflects on the venue’s incredible countercultural legacy.
Tales from the South Side — Michael Abramson’s iconic photo series captures the city’s underground funk, blues and early disco scene.
From 1978 to 1983 — A new MOMA exhibition looks back on the legacy of Club 57 – a no-budget East Village venue that ripped up the rule book and changed the face of modern art.