A love letter to ’90s rave — In the new film Beats, director Brian Welsh travels back to 1990s Aberdeen to tell the story of rave culture – why it mattered, and how it got torn apart.
‘I just like to experiment’ — In a collaboration with director Joji Koyama, the 42-year-old artist stars and soundtracks a haunting new film that treads a thin line between ambience and intensity.
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s two romcoms: The Perfect Date (bad) and Someone Great (good!).
Are you still watching? — Writer Megan Nolan bravely ventures into Netflix’s new releases, in an attempt to figure out if anything is even worth our time anymore. This week is our worst yet, with the nauseatingly twee Unicorn Store and the uniquely awful (and popcorn-free) Blind.
A new generation — A new documentary, produced by Red Bull Music, shines a light on the pioneers of the genre in Asia – from Indonesia’s Rich Brian, to South Korean rapper Keith Ape.
Being Frank — Frank Sidebottom was a comedian, musician, writer, artist – and one of television’s most beloved eccentrics. A new documentary shines a light on creator Chris Sievey, the man underneath the papier-mâché head.
Are you still watching? — Writer Megan Nolan bravely ventures into Netflix’s Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s ridiculous rock biopic The Dirt and drug odyssey doc The Legend Of Cocaine Island.
The fight for recognition — More than six years in the making, Transmilitary captures the highs and lows of a dedicated group of activists as they lobby for the recognition they deserve.
Lords Of Chaos — Director Jonas Åkerlund discusses his new film Lords Of Chaos – a pitch-black thriller about Norwegian metal group Mayhem, whose embrace of the dark side led to arson, suicide, and multiple murders.
Being Jonathan Agassi — International porn icon Jonathan Agassi had a meteoric rise to fame – but at what personal cost? A new film by Tomer Heymann reveals what happens when the camera stops rolling.