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Film

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Introducing Huck’s new Film section, powered by our sister magazine Little White Lies. Spotlighting some of the best stories where film meets counterculture
Film

What Netflix did next: brats, bodyguards & sociopaths

Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is worth our time anymore. This week, it’s soulless action thriller Close and the mind-boggling true crime doc, Abducted In Plain Sight.

Written by: Megan Nolan

Film

Ray & Liz: an exploration of family life in Thatcher’s Britain

On the breadline — In Ray & Liz, photographer turned writer-director Richard Billingham presents a tale of deprivation and loneliness set in the West Midlands – based on his own upbringing.

Written by: Josh Slater-Williams

Film

What Netflix did next: retiring hitmen & haunted art

Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is worth our time anymore. This week, it’s Mads Mikkelsen on the run (Polar) and Jake Gyllenhaal as a sassy bi art bitch (Velvet Buzzsaw).

Written by: Megan Nolan

Film

What made Marie Colvin one of the world’s best war reporters?

A Private War — We speak to director Matthew Heineman about A Private War: his new film that pays tribute to the legendary journalist’s life. ‘If there was anything she was addicted to, it was the desire to tell these stories. I think if she felt no one else was going to do it, then she had to.’

Written by: Hannah Clugston

Film

A celebration of women in film: four names to watch in 2019

From across the globe — With Manchester gearing up for HOME’s year-long season on Women in Global Cinema, head of film Rachel Hayward shares her favourite filmmakers on the lineup.

Written by: Hannah Clugston

Film

What Netflix did next: grumpy old men & sad young zombies

Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is worth our time anymore. This week, it’s moody Irish zombie-reform drama The Cured, and Chevy Chase’s Last Laugh.

Written by: Megan Nolan

Film

What Netflix did next: add fuel to the Fyre

Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s a ludicrous, high octane account of Fyre Festival: The Greatest Party That Never Happened.

Written by: Megan Nolan

Film

Politics, Palestine & PJ Harvey: the best docs to see in 2019

Catch them when you can — Luke Moody, Sheffield Doc/Fest’s Director Of Film Programming, pulls together a list of sharp, smart and touching docs to look out for in the coming months.

Written by: Thomas Curry

Film

Boots Riley is Hollywood’s new disruptor in chief

Truth to power — With his debut feature Sorry To Bother You, the rapper turned filmmaker is responsible for 2018’s most brazenly original slice of cinema: a seething take on class, race and identity in Corporate America. The good news is that he’s only just getting started.

Written by: Niall Flynn

Film

What Netflix did next: one of the worst films of all time

Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s Kurt Russell as sexy Santa, and the unforgivably bad The Christmas Wedding Planner.

Written by: Megan Nolan

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