Ceibo — Co-directed by Maddie Meddings and Lucy Small, the film focuses on the work and story of Pacha Light, a wave rider who lived off-grid before reconnecting with her country’s activist heritage.
Camp classic — A new restoration of James Bidgood’s cult film is showing in US theatres this spring. We revisit its boundary pushing aesthetics, as well as its enduring legacy.
Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.
Onda Nova — With cross-dressing footballers, lesbian sex and the dawn of women’s football, the cult movie was first released in 1983, before being censored by the country’s military dictatorship. Now restored and re-released, it’s being shown in London at this year’s BFI Flare film festival.
Avant-Garde Pioneers — Focusing on the likes of Daidō Moriyama, Nobuyoshi Araki, Eikoh Hosoe and many more, the film highlights the swell of creativity in the ’60s, at a time of huge economic change coupled with cultural tensions.
A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.
Dreamweaver — On Thursday, January 16, one of the world’s greatest filmmakers passed away at the age of 78. To commemorate his legacy, we are publishing a feature exploring his singular creative vision and collaborative style online for the first time.
Free the Stones! delves into the vibrant community that reignites Stonehenge’s Solstice Free Festival, a celebration suppressed for nearly four decades.
Alongside the re-issue of Bronski Beat’s iconic ‘Age of Consent’, the band have worked with acclaimed filmmaker Matt Lambert to create a powerful new video for single ‘Why?’ exploring four decades of struggle.
The new issue of Little White Lies brings Andrea Arnold’s sixth feature to life with a thematic voyage down the Thames estuary.