Washed away — Once fixtures of the high street, launderettes are disappearing. Photographer James Blackburn has set out to capture their retro glory before it’s too late.
Written by: Joseph Marczynski
‘Without hope you can’t continue’ — After losing faith in the validity of the Grenfell Tower inquiry, Feruza Afewerki turned her rage into inspiration – launching a photography project for the community who were left behind.
Written by: Mutaz Ahmed
Breaking barriers — Belonging, an exhibition by the country’s leading refugee employment charity Breaking Barriers, celebrates the passions and pilgrimages of migrants in the UK.
Written by: Bex Shorunke
‘Either we fight or we’re fucked’ — In his new book, writer and former-Deliveroo rider Callum Cant discusses the gig economy, ethical consumption, and the new strategies of resistance.
Written by: Jacob Charles Wilson
Everyday monuments — From lamplit street corners to red-brick estate fronts: artist Frank Laws pays tribute to the mundane magic of the city.
Written by: Tom Usher
The disappearing city — Strip pubs are an integral part of East London’s past – but shifting attitudes and rising rents are eating away at their freedoms, and casting doubt over their future.
Written by: Jessica Furseth
‘I don’t give a fuck’ — The drum and bass pioneer opens up about drugs, artistic recognition and his complex feelings towards Eric Clapton.
Written by: Jeremy Allen
Paddington Printshop — From anti-landlord housing struggles, to socialist activism: the Paddington Printshop designed the aesthetic of rebellion in the 20th century.
Written by: Jacob Charles Wilson
Knocking them dead — From leopard print coffins to environmentally friendly ceremonies, Arka is the women-led funeral home changing the way we deal with the death process.
Written by: Niloufar Haidari
Remembering TRC — Dalston’s Total Refreshment Centre closed as a music venue a year ago – and although it may be gone, its legacy lives on. In her new book, Make Some Space, journalist Emma Warren explores why this pivotal space did so much for the capital’s creative communities.
Written by: Emma Finamore