Red light revolution — The British sex trade remains an off-radar taboo, relegated to a legal grey area. But with looming legislation threatening to put workers in danger, sex activists are fighting to be better understood.
Life in the margins — In the heart of Louisiana, a crew of skaters – bold, brash and free-spirited – are on a journey of self-discovery in a city that never sits still.
The Family Acid — After a stint in the Vietnam War, Roger Steffens dedicated himself to a free-spirited, drug-fuelled life on the fringes of society. Luckily for us, he photographed the whole thing.
Truth to power — With his debut feature Sorry To Bother You, the rapper turned filmmaker is responsible for 2018’s most brazenly original slice of cinema: a seething take on class, race and identity in Corporate America. The good news is that he’s only just getting started.
The bigger picture — From the US to Latin America, Natalie Keyssar’s photography uncovers the impact of social and political structures on everyday lives – capturing the violence of inequality and the messiness of uncertainty.
As it may be... — After taking her camera across Russia, the US and Egypt, Bieke Depoorter has been asking constant questions of herself – navigating what it means to be a photographer with the most intimate access imaginable.
A photographer’s journey — Calla Kessler has grown up with a firm belief in photography’s ability to connect people. But as a recent graduate uprooted from small-town Nebraska to Washington DC, she’s learned that sometimes pursuing truth means standing up and speaking out.
Private parts — Lois Bielefeld has spent years documenting people’s domestic rituals, gathering insight into a diverse range of lives while learning to better navigate her own journey.
Way out beyond — Photographer Jane Hilton has spent her career seeking out the most fascinating people she can find. It’s a quest that’s led her to the old wild west, where the lives of mavericks – from working girls to bull riders – are never quite what they seem.
Real lies — Pulling from staged scenes, media coverage and original interviews, Max Pinckers shines a light on a country fixated with its own mythology – one where anyone can shape their own reality.