Anonymous: A Million Men reveals a new breed of political activist: unhampered by geography, united by common goals, enabled by the internet.
Director Patrick Ireland set out to tell the story of how young people are using different models of political engagement to fight a system that is failing its citizens.
“It’s a massive myth that young people aren’t engaged in politics,” says Matteo Bergamini, producer and co-writer, “They are, they’re just not calling it politics. They’re calling it racial issues, environmentalism, and so on.”
The film was produced by Shout Out UK, an independent youth news network that aims to lower political apathy by showing the direct impact of politics on young people.
In the lead up the 2015 general election, questions are being asked about the political engagement of young people, whether it’s failing and, if not, where it might be directed. Yet increasingly it’s being argued that young people are turning to alternative politics outside of the established system.
A Million Men uses the Million Mask March of 2014, where thousands of activists took to the streets in London, as a platform to explore wider issues surrounding politics, featuring interviews with Anonymous members, Conservative MP Chloe Smith and Russell Brand.
A fervent appeal for fair representation and grassroots action, the film ends on a final, powerful statement that lingers on far beyond the rolling credits and the applause of the crowd: “We have nothing to lose but our chains.”
Anonymous: A Million Men will be screened at Parliament post-election, date and time to be announced.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
As salmon farming booms, Icelanders size up an existential threat
Seyðisfjörður — The industry has seen huge growth in recent years, with millions of fish being farmed in the Atlantic Ocean. But who benefits from its commercial success, and what does it mean for the ocean? Phil Young ventures to the remote country to find out.
Written by: Phil Young
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck