The artist finding poetry in everyday life
- Text by Huck
- Illustrations by Alla Chiara Luzztelli

Alla Chiara Luzzitelli is an artist with a magpie-like fascination regarding the possibilities of visual media. Based in Turin, Italy, she has developed from an accomplished portrait photographer to a maker of poetic short films, all as a result of an enquiring mind, and a series of exciting collaborations with other artists.
It’s this commitment to collaboration that makes Luzzitelli a core member of the Adobe Creator Collective, an online creative community that connects a diverse network of artists from across Europe. The platform exists to champion authenticity, and inspire others to create: the collective regularly offer tips and advice to Adobe users, with Adobe providing free assets for up-and-coming creators to get started themselves.
To mark her involvement, Luzzitelli reveals the points on her journey, and also how her various, diverse inspirations feed into the moment of her own creation.
When did you first get into photography? Tell us about your journey.
I got into photography when I was 14 and needed an outlet for my thoughts – a means to visually represent what I saw and felt. I started experimenting with self-portraits, which allowed me to understand myself. I had my first exhibition the same year in Turin, where I still live. The project comprised 10 portraits of people I didn’t know, and the aim was to pull out the most delicate side of the subjects. At 17 I started working in Milan shooting fashion editorials. I found it difficult relating to the world of fashion at first – it’s very different from creating personal work. I had to try to combine my style with what the industry required from the imagery.
In 2019 I started studying cinema in Turin, and I made my first self-portrait short film: Tre Atti per Due Fiori (Three Acts for Two Flowers). It was a very important project for me — it felt as if I was confronting something bigger than myself. In 2020 I made my first musical short film, Procedura di Liberazione (Procedure of Liberation), which was based around adaptations of my poetry. I worked on it in collaboration with the Italian composer Mattia Vlad Morleo. We talk about silence, the passing of time, and the search for freedom.
Your approach to photography is very cinematic. Where do you draw inspiration from?
Primarily from my memories, from my desires, and from nature. The latter is essential to my life. I often take refuge in my country house, where I create and produce. The nature that surrounds me there allows me to understand the silences and many small moments of everyday life, which I can’t find in the city.
You cross mediums frequently, from film to writing to music. Do you have a different creative approach for each format?
My approach is different for each. In some ways, writing is the basis of the other artistic techniques I use. I write many thoughts: Sometimes they remain in written form and other times they become imagery or music. Photography has become somewhat automatic, while writing and music are new worlds for me yet to discover. When I write music, I try to write as if I have to tell someone my thoughts. When I film, I try to show that which is not visible — the emotional aspect of being human. I try to give a lot of space to moments that may seem boring at face value but actually hide great depth of feeling.
What tips would you give to aspiring photographers?
Try to make an idea happen before it disappears. Ideas can be fleeting, so when inspiration hits you, seize on it. Just dive in and experiment. Don’t be afraid of not being enough, because when you have the desire and the need to tell a story, you will learn from telling it. Owning your curiosity is essential.
Tell us about your favourite photographer or director at the moment.
As part of my studies, I’ve been watching Italian films from the 1950s and ’60s. I’m fascinated by the poetics of Vittorio De Sica and Zavattini, and by their ability to make ordinary people so compelling onscreen. I am also passionate about French New Wave Cinema, Godard in particular. I believe that today’s cinema needs to experiment more and to change the narrative patterns, so I don’t really have any favourites from the contemporary scene.
Could you share an artwork/photograph by another artist you have hanging in your room, and why?
One artist I really appreciate is definitely Marina Abramovic – in my room, along with my projects, you can easily realise that she is my favourite artist…. When I met her for the first time, I was 17 years old and was immediately struck by it. I think that she and I have many things in common at the level of artistic thought, but also different fragments of personal life. I recognise myself in some way.
What piece of work are you most proud of and why?
An extremely difficult question, but I think it is that of Procédure De Libération. It was born as an album of musical poems and transformed into a short film that brought me into five film festivals around the world – as well as at the Florence Biennale. I’m proud of this project because I always knew it would be bigger than me the moment I started working on it. This ‘obstacle’ allowed me to break those walls and go beyond, to study, to be more curious about many emotional aspects – and, above all, to grow emotionally.
What’s your dream project? Something you’ve not yet done.
My dream at project level is to make a film about my past in Russia; that’s a story I want to tell. Another dream would be to release some of my musical productions, a mixture of poems and ambient music.
The Adobe Creator Collective project showcases the best new art, design and illustration talent weekly, connecting artists with the wider Adobe community. Want to be inspired? Visit the website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern
Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.
Written by: Ella Glossop

In Medellín’s alleys and side streets, football’s founding spirit shines
Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.
Written by: Isaac Muk

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers
Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.
Written by: Miss Rosen

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos
Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.
Written by: Emma Garland

Dalia Al-Dujaili: “When you’re placeless, nature can fill the void”
Babylon, Albion — As her new book publishes, the British-Iraqi author speaks about connecting with the land as a second-generation migrant, plants as symbols of resistance, and being proud of her parents.
Written by: Zahra Onsori

We are all Mia Khalifa
How humour, therapy and community help Huck's latest cover star control her narrative.
Written by: Alya Mooro