Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

The Frankenstein bikes taking over the streets of Britain

Monster Cycles — Huck meets the makers and madcap inventors who are taking a leaf out of Frankenstein's book and building the bike of their dreams.

Bike culture’s ongoing and colourful resurgence is a constant source of inspiration – and awe – for communities around the globe. From the Fixie fiends who ruled the mid-noughties, to moustachioed Bike Polo teams; from devout road racers to couriers-turned-champs, the humble bike has lived a thousand different lives since it’s birth in 1917.

But perhaps nowhere is this constant state of evolution playing out with more humour than in the world of Monster Bikes. Behold the Frankensteins of the cycling world.

Tim Davies
Sculptor / Hackney, London.

2010_MonsterBikes_Tim_3_f08 001

Tim Davies runs training courses for disaffected youths and started making tall bikes “as a tool to facilitate creativity”. Over the course of ten years, he’s made about fifteen bikes and runs workshops teaching others to do the same. Why? Because, he says, they are an end in themselves.

“I like building them and teaching other people to build them because of the confidence it gives you in approaching problems and finding the solutions yourself, instead of going down the shop and spending money,” he says. “Most of the bikes I build are just for fun. When I ride them around people come out of their shops to look, car mechanics are interested and kids stare and wonder what the hell is going on.”

Peter Georgallou
Artist / Molesey, Surrey.

george 001

Peter Georgallou is a man of many occupations. As well as being “that guy who holds things up” at auctions, he splits his time between photography, art directing an opera company and working in three different bike shops. And his ride totally reflects his eclectic personality.

“I like commuting on Roger [the bike] because it’s silly,” he says. “If I ever wake up in the morning and feel a bit serious I just think, ‘You know what, today I’m going to wax my moustache and ride to work on a tall bike.’” And he’s not going to get serious any time soon.

“I think of [Roger] as a pedal-powered euthanasia machine,” he says cryptically. “If you cycle 180 miles at a rate of 20mph, a bolt of lightning goes straight into your head.” Okay then…

Billy Prendergast
Brixton Cycles worker-owner / Brixton, London.

2010_Billy_Prendergast_1_f12 001

After a chance encounter at a bicycle wheelie race, BMX pro Billy Prendergast changed the way he looked at scrap metal. “I saw a guy on a tall bike,” he remembers, “and I thought it was such a great idea. I had a go and I loved it.”

Suddenly every discarded bike part in Brixton Cycles, where he is part of the worker co-operative, had potential and when some old frames turned up weeks later, he decided to get crafty.

“A friend had a welder and I just thought, ‘Fuck it, I’ll give it a go,’” says Billy, “and it came out pretty good. I love having a laugh on bikes… I’ve met most of my mates through bikes… Why do I like them so much? It’s obvious isn’t it? I just love to ride.”

Alan Ross
Metal sculptor / Ross-on-Wye, Herefordshire.

2010_Alan_Chunkolini_x_f8 001

Craftsman Alan Ross likes to keep things homemade. In fact, it was while drinking some of his self-brewed cider with friends in Herefordshire one night that he came up with his latest DIY masterpiece.

He explains: “My friends and I had been at the cider one evening and I’d just learnt to weld. My wife was away for the weekend and I saw a chopper bike on the Internet and thought, ‘I can make that’. I’ve always been a cyclist but I’d never cut a bike up before.”

Undeterred, the enthusiastic fella got straight to it and found a way to unite his love of cycling and creativity. But why the two-wheeled obsession? “Bikes are transport, freedom, company and somewhere to think when I need to think about things,” he says fondly. And the sculptor is now totally hooked on building monster rides. “I do have a plan to make a tandem eventually. Not just any old thing, it will be a quality machine.”

This story originally appeared in Huck 22 – The Counterculture Issue

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

 


You might like

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

Artifaxing: “We’ve become so addicted to these supercomputers in our hands”

Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.

Written by: Isaac Muk

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Culture

What we’re excited for at SXSW 2026

Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.

Written by: Huck

Huck 83: Life Is A Journey Issue

Huck’s 20th Anniversary Issue, Wu-Tang Clan is here

Life is a Journey — Fronted by the legendary Wu-Tang Clan’s spiritual leader RZA, we explore the space in between beginnings and endings, and the things we learn along the way.

Written by: Huck

Culture

Clavicular isn’t interesting, really

Dreaming Small — The ‘looksmaxxer’ of the moment has garnered widespread furore over recent controversies. But newsletter columnist Emma Garland asks whether the 20-year-old influencer is actually doing anything that new, and what his rise says about modern turbo-nostalgia’s internet dominance.

Written by: Emma Garland

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.