The Frankenstein bikes taking over the streets of Britain
- Text by Paul Calver
- Photography by Paul Calver
Bike culture’s ongoing and colourful resurgence is a constant source of inspiration – and awe – for communities around the globe. From the Fixie fiends who ruled the mid-noughties, to moustachioed Bike Polo teams; from devout road racers to couriers-turned-champs, the humble bike has lived a thousand different lives since it’s birth in 1917.
But perhaps nowhere is this constant state of evolution playing out with more humour than in the world of Monster Bikes. Behold the Frankensteins of the cycling world.
Tim Davies
Sculptor / Hackney, London.
Tim Davies runs training courses for disaffected youths and started making tall bikes “as a tool to facilitate creativity”. Over the course of ten years, he’s made about fifteen bikes and runs workshops teaching others to do the same. Why? Because, he says, they are an end in themselves.
“I like building them and teaching other people to build them because of the confidence it gives you in approaching problems and finding the solutions yourself, instead of going down the shop and spending money,” he says. “Most of the bikes I build are just for fun. When I ride them around people come out of their shops to look, car mechanics are interested and kids stare and wonder what the hell is going on.”
Peter Georgallou
Artist / Molesey, Surrey.
Peter Georgallou is a man of many occupations. As well as being “that guy who holds things up” at auctions, he splits his time between photography, art directing an opera company and working in three different bike shops. And his ride totally reflects his eclectic personality.
“I like commuting on Roger [the bike] because it’s silly,” he says. “If I ever wake up in the morning and feel a bit serious I just think, ‘You know what, today I’m going to wax my moustache and ride to work on a tall bike.’” And he’s not going to get serious any time soon.
“I think of [Roger] as a pedal-powered euthanasia machine,” he says cryptically. “If you cycle 180 miles at a rate of 20mph, a bolt of lightning goes straight into your head.” Okay then…
Billy Prendergast
Brixton Cycles worker-owner / Brixton, London.
After a chance encounter at a bicycle wheelie race, BMX pro Billy Prendergast changed the way he looked at scrap metal. “I saw a guy on a tall bike,” he remembers, “and I thought it was such a great idea. I had a go and I loved it.”
Suddenly every discarded bike part in Brixton Cycles, where he is part of the worker co-operative, had potential and when some old frames turned up weeks later, he decided to get crafty.
“A friend had a welder and I just thought, ‘Fuck it, I’ll give it a go,’” says Billy, “and it came out pretty good. I love having a laugh on bikes… I’ve met most of my mates through bikes… Why do I like them so much? It’s obvious isn’t it? I just love to ride.”
Alan Ross
Metal sculptor / Ross-on-Wye, Herefordshire.
Craftsman Alan Ross likes to keep things homemade. In fact, it was while drinking some of his self-brewed cider with friends in Herefordshire one night that he came up with his latest DIY masterpiece.
He explains: “My friends and I had been at the cider one evening and I’d just learnt to weld. My wife was away for the weekend and I saw a chopper bike on the Internet and thought, ‘I can make that’. I’ve always been a cyclist but I’d never cut a bike up before.”
Undeterred, the enthusiastic fella got straight to it and found a way to unite his love of cycling and creativity. But why the two-wheeled obsession? “Bikes are transport, freedom, company and somewhere to think when I need to think about things,” he says fondly. And the sculptor is now totally hooked on building monster rides. “I do have a plan to make a tandem eventually. Not just any old thing, it will be a quality machine.”
This story originally appeared in Huck 22 – The Counterculture Issue.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk
When David Wojnarowicz became Arthur Rimbaud
Arthur Rimbaud in New York — In 1978, the American artist and his friends donned masks to pay tribute to the French poet, who was born a century before him. Miss Rosen traces the differing yet parallel lives of the queer revolutionaries.
Written by: Miss Rosen
