The jailed photographer who captured the rise and fall of the Egyptian revolution
- Text by Alex King
- Photography by Mahmoud Abu Zeid (Shawkan)
Imagine being beaten, tortured and sent to jail without trial for three years – just for doing your job.
When Egyptian photojournalist Mahmoud Abu Zeid, popularly known as “Shawkan”, went to cover a Muslim Brotherhood protest against the Egyptian government, he thought it would be just another day at work.
On the morning of 14 August 2013, Shawkan arrived at the sprawling tent city outside Cairo’s Rabaa Al-Adawiya mosque. Muslim Brotherhood supporters had gathered to protest against the overthrow of Egypt’s first democratically elected president, Mohammed Morsi, in a military coup just weeks before.
The authorities moved in to break up the camp with tear gas and live rounds. Shawkan identified himself to the police as a journalist and was immediately arrested – with his camera in his hands – before being thrown into a police van. By the end of the day, over eight hundred civilians had been killed.
Three years later, Shawkan is still languishing in a jail cell, awaiting trial on trumped up charges, including ‘joining a criminal gang’ and ‘murder’, which could result in the death penalty. All for doing his job: taking photographs and documenting everyday life in Egypt.
To pressure for his release, Amnesty International held a demonstration outside the Egyptian Embassy in central London, and unveiled a powerful new exhibition of Shawkan’s photographs of resistance, revolution and regular people in Egypt at their base in Shoreditch, East London.
As one of Egypt’s top news photographers, Shawkan captured that Tahrir Square uprising in 2011 that awoke simmering discontent, brought the Arab Spring to Egypt and toppled corrupt dictator Hosni Mubarak. But Shawkan also documented the country’s slide back into dictatorship, under the leadership of president Abdel Fatah al-Sisi, who lead the coup to depose Morsi.
Sisi’s government stands accused of a long line of brutal human rights abuses which include violently cracking down on supporters of Morsi’s Muslim Brotherhood movement, prosecuting LGBT citizens, mass executions and the killing of more than 2,500 political opponents.
Sisi has also clamped down hard on the freedom of both local and international press. In the case of the ‘Al-Jazeera three’, journalists Mohamed Fahmy from Canada, Baher Mohamed from Egypt and Peter Greste from Australia were found guilty in June 2014 of aiding a “terrorist organisation”, for their reporting on the Muslim Brotherhood crackdown. After a global outcry, they were eventually released in 2015.
But scores of journalists remain behind bars. As Huck reported earlier this year, local journalists like freelance photographer Shawkan struggle to generate the same international outcry. Still awaiting trial, Shawkan’s hopeless situation reveals how press freedom is now a distant memory in Sisi’s Egypt. Yet his photography remains a testament to Shawkan’s commitment to documenting the Egyptian people’s struggle for democracy and justice.
Find out how to support Shawkan at Amnesty. His work is on display at at Amnesty’s Human Rights Action Centre in Shoreditch, east London from Monday 28 November until Friday 16 December.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
The quiet, introspective delight of Finland’s car cruising scene
Pilluralli — In the country’s small towns and rural areas, young people meet up to drive and hang out with their friends. Jussi Puikkonen spent five years photographing its idiosyncratic pace.
Written by: Josh Jones
