Ken Loach’s advice for young filmmakers
- Text by Cian Traynor
- Photography by Jean Pierre-Vallorani (main image)
It’s the night of the Baftas and Ken Loach is ready to speak his mind. After winning Outstanding British Film for I, Daniel Blake, the director saunters up to the stage in a tuxedo, accepts the award from Nicole Kidman and grips the podium with both hands.
What comes next is classic Loach: in the span of just 110 seconds, he segues gracefully between expressing gratitude, condemning the government and warning of a dark, divisive future.
But in-between the comments that draw applause, in-between the lines that will make headlines, he emphasises the simple power of film.
“They can entertain, they can terrify, they can take us to worlds of imagination, they can make us laugh and they can tell us something about the real world we live in.”

A still from Versus: The Life and Films of Ken Loach (2016) by Louise Osmond.
You might like
Jesse Glazzard’s messy portrait of queer friends, lovers and chosen family
The Sound of Dirt and Beauty — The photographer’s debut monograph explores tender, unpolished moments shaped by the people who he surrounds himself with, while offering a window into the UK’s working-class LGBTQ+ community.
Written by: Sunny Sunday
Behind the curtain at Alternative Miss World 1981
Olympia glamour — Running a subversive take on the traditional beauty pageant, the Andrew Logan organised event prioritised underground creativity and invention. Photographer David Corio went behind the scenes at its biggest edition.
Written by: Miss Rosen
What life on the Strait of Hormuz is really like
Southern Winds — Bandar Abbas based photographer Morteza Niknahad has been capturing the diverse communities and stories of his local region since he first picked up a camera. His new series highlights the human impact of war.
Written by: Isaac Muk
Pink Floyd’s Roger Waters joins team of new Palestinian resistance documentary
Freedom Theatre — Directed by Rishi Pelham, the film spotlights a theatre operating in the Jenin refugee camp.
Written by: Ella Glossop
Nick Haymes’s intimate portrait of his family’s life
Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.
Written by: Miss Rosen
Kristina Rozhkova’s scatty, confronting portrait of captivity
Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.
Written by: Isaac Muk