Malick Sidibé: Iconic portraits of African youth culture
- Text by HUCK HQ
- Photography by Malick Sidibe
Malick Sidibé – nicknamed “the eye of Bamako” – is one of Africa’s most beloved portrait photographers. Working across the ’50s, ’60s and ’70s, he shot black and white studies of youth culture; unveiling an exciting, exuberant side to his hometown of Bamako in Mali.
Now, coming just over a year after his death in April 2016, the legendary photographer is being celebrated with a new show at Paris’ Fondation Cartier pour l’art contemporain. Titled Mali Twist, it promises to be the largest ever exhibition of Sidibé’s work, with over 300 images and 30 never-before-seen studio portraits set to go on display.
“The photographs reveal Malick Sidibé’s capacity, starting at the beginning of the 1960s, to grasp the vitality of the youth of Bamako and impose his unique style, recognised today throughout the world,” explains a spokesperson for the show. It’s set to run at the Paris institution until February 25 next year.
An accompanying book of the same name is also available; packed with lavish examples of his studio portraits and party shots. His lesser known work – such as his outdoor photography set around local villages and the Niger River – is also featured.
Un yéyé en position, 1963. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Mon chapeau et pattes d’éléphant, 1974. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Les amis dans la même tenue, 1972. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Un gentleman en position, 1980. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Circa 1972. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Nuit de Noël, 1963. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
1973. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Fans de James Brown, 1965.
Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
1968. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Danser le twist, 1965. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
À la plage, 1974. Collection Fondation Cartier pour l’art contemporain, Paris
© Malick Sidibé
Extract from Mali Twist (Éditions Xavier Barral, Fondation
Cartier pour l’art contemporain, 2017)
Malick Sidibe: Mali Twist is available now, and the accompanying exhibition is on show at Fondation Cartier from 20 October-25 February, 2018.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern
Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.
Written by: Ella Glossop
In Medellín’s alleys and side streets, football’s founding spirit shines
Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.
Written by: Isaac Muk
Remembering New York’s ’90s gay scene via its vibrant nightclub flyers
Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.
Written by: Miss Rosen
On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos
Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.
Written by: Emma Garland
Why Katy Perry’s space flight was one giant flop for mankind
Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.
Written by: Emma Garland
We are all Mia Khalifa
How humour, therapy and community help Huck's latest cover star control her narrative.
Written by: Alya Mooro
