Refugee Week 2023: Editor's Letter

In partnership with
To celebrate Refugee Week 2023, we've collated a series of pieces from the archives that explore themes of compassion, resilience and resistance.

In 1997, Tony Blair won the General election in a landslide victory, bringing to an end almost 20 years of Conservative rule in Britain. It was a win built on many things, but hope was the beating heart of it. Hope for a better future. For a different tomorrow. That things can – as the adopted Labour campaign theme by D:Ream famously promised – only get better. Much of the British media estate, particularly red tops and far-reaching publications owned by media mogul Rupert Murdoch, aligned with Blair’s vision.

However, it would not be long before the famously fickle establishment would turn on him. In 1997, net migration to the UK was around 50,000 people. In 1998 it almost trebled, and has not been under 100,000 people since. The furore around this increase, spurred on by headline after headline about ‘bogus asylum seekers,’ set the stage for the vast expansion of the detention estate and the steady expansion of border control obligations across apparatus of Government, down through businesses, and onto individuals. Despite the opening of new detention centres and reams of new anti-migrant legislation the papers still weren’t happy.

Speaking to Sir Stephen Wall, who was head of the Cabinet Office’s European secretariat between 2000-04 shortly after 2001 election, Blair purportedly said that “immigration will lose me the next election.” That threat to his power was so strong that he ignored reports he himself commissioned, which debunked many of the myths around ‘scrounger migrants’ coming here to drain our resources, and indeed the views of his own cabinet members, to fight a war on those seeking safety and sanctuary.

This act of cowardice set the stage for the horrors of the Hostile Environment and everything that has come since. There is perhaps some symmetry in the fact that the same political moment that brought this pain and denigration in 1998 also birthed Refugee Week, which this year celebrates its 25th anniversary.

The festival is the world’s largest arts and culture event celebrating the contributions, creativity and resilience of refugees and people seeking sanctuary. Founded in the UK, it is held every year around World Refugee Day on the 20th June. This year is no different with the event running from 19th-25th June.

At Huck we have a long and proud history of reporting on, telling the stories of and uplifting the voices of people trapped within the machinations of border regimes here and across the world. This year, for Refugee Week, we’re proud to run a series of articles from our vault centring on this year's theme of compassion.

Compassion can look like many things. It can be sympathetic and empathetic to a person's particular situation – and in articles exposing the realities of journeying for safety, or what it looks like to rebuild one's life, we hope to tap into that. To utilise the stories and voices of those at the centre of the debate to allow you, our readers, more of an insight and connection to those often monstered and othered by a hostile press.

But at Huck we believe that compassion must go further than just sympathy. It must look like action. That’s why we’ve included articles that look at groups of people organising along the Channel to help those in peril on the dangerous crossing, or reports from those fighting to shut down detention camps or roll back draconian legislation.

We hope the series of pieces we’ve curated sparks joy, hope, empathy, anger and impetus to join the struggle. To help support those seeking the safety so many of us take for granted every day and to roll back the actions of successive governments, helping put humanity back at the centre of our society.

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Activism

Capturing joy and resilience in Istanbul through tumultuous times

Flowers in Concrete — As protests break out across Istanbul, photographer Sıla Yalazan reflects on the 2013 Gezi Park movement, and capturing beauty as the city has undergone economic change and political tension.

Written by: Isaac Muk

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© Murai Tokuji, Courtesy of Murai Eri
Culture

A new documentary explores Japan’s radical post-war photography and arts scene

Avant-Garde Pioneers — Focusing on the likes of Daidō Moriyama, Nobuyoshi Araki, Eikoh Hosoe and many more, the film highlights the swell of creativity in the ’60s, at a time of huge economic change coupled with cultural tensions.

Written by: Isaac Muk

A young woman in a white blouse and shorts standing on a beach with a sign that says "What made me" in large text.
Music

BODUR: “I’ve always spoken out rather than assimilating”

What Made Me — In this series, we ask artists and rebels about the about the forces and experiences that shaped who they are. Today, it’s SWANA-championing pop experimentalist BODUR.

Written by: BODUR

A man holding a sign that says "Gay is Good" in front of his face.
© Fred W. McDarrah/MUUS Collection
Culture

No one captured Greenwich Village’s heyday like Fred W. McDarrah

Pride and Protest — As the first staff photographer for the legendary Village Voice, the documentarian found himself at the heart of the Beat Generation, the Gay Liberation movement, and the AIDS pandemic. A new exhibition dives into his important archive.

Written by: Miss Rosen

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Huck: The London Issue

Krept & Konan cover Huck’s new digital issue, focusing on our home city

The London Issue — As we gallop into a hyperconnected age, we think it’s never been more important to engage with our local surroundings. So, we’ve put together a special magazine, exclusively for our Apple News subscribers, to celebrate London and its unending vibrancy.

Written by: Isaac Muk

Sport

On the sidelines with Rise United, the football club redefining Asian identity

Football, family style — Blending creativity on and off the pitch, the London ESEA+ grassroots team is providing its burgeoning community with spaces to express, and be, themselves.

Written by: Isaac Muk

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