The streetwear brand celebrating the mystical

  • Text by Huck
With their latest capsule collection, SCRT have constructed their own mythology, based on the story of a fictional meteor shower that hit a small Scottish town.

With their latest capsule, SCRT are blurring the lines between truth and fiction. Centred on fictional accounts of a meteor shower that took place over an abandoned Scottish town, the Clune Park collection shines a light on sensationalism, the mystical and that very human urge to seek meaning from the unexplainable. 

The story dictates that the shower began at 9pm on 1 June, 1986. A total of 12 meteors survived the trip to earth, with reports of locals experiencing strange phenomena following suit. “It was an exercise in creativity, really,” explains SCRT co-founder Adam Kirk. “When you anchor yourself in truth, but give yourself the freedom of narrative to expand reality into fiction, creatively it becomes very interesting.”

“Stretching the truth is a similar exercise to that of the creative expansion that you have to do when developing ideas,” he continues. “We had this opportunity to create a whole universe around an idea.” 

The collection itself focuses on the 12 meteorite samples as well as eyewitness testimonies, with designs reminiscent of National Park merchandise. An accompanying zine, Praise Be The Meteor, dives deeper into the mythology they’ve constructed, with accounts from the “fanatics” who have since dedicated their lives to the shower.

“The zine is dated 1989, and we printed it using the risograph printing method, echoing the DIY zine ethic that this community would have made,” says Kirk. “So it feels like a living artefact, an old punk magazine you might find stuffed in a drawer somewhere. The zine was an exercise in pushing absurdity, taking inspiration from old Viz mags.”  

While Clune Park toys with the idea of the post-truth era, Kirk insists they never set out to make an “sensational political statement”. That said, arriving at a place where they were able to question who gets to tell stories, and why, felt natural. “There are a few media sources that do control what is said in the broader media landscape, and plenty of parallels can be drawn between what we’re saying through Clune Park and what you can observe in the media at large.”

Fundamentally, though, Clune Park is a celebration of the strange and absurd. In a world of routine, cycles and digital saturation, SCRT are instead choosing to find magic in the unexplainable. 

“The fanatics in the zine, they could be astrology fanatics now, wanting their fate prescribed for them. Yet they’re all us in a way, hoping we’ve found an answer that explains everything, and wanting others to believe what you believe – that’s just natural.” 

Join us as we celebrate Clune Park with a Huck x SCRT event in London on 27 May, 2022. You can also shop collection now

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.