A surreal look at the human cost of conflict
- Text by Eva Clifford
- Photography by Jan Grarup

“The finest role I can take on is that of an eyewitness,” writes Grarup in his book And Then There Was Silence. “He, who ventures out to meet people where they live, be it on the run or in the midst of war, conflict or catastrophe. Someone who tells their stories and give them a place in the world.”
Throughout his 25 year career, Danish photographer Jan Grarup has turned his lens to many of recent history’s defining conflicts – including the Rwandan and Darfur genocides, the Siege of Sarajevo and the Palestinian uprising against Israel, to name just a few.
“When I first saw Jan’s work from Somalia in the exhibition Views from Africa at LAIF photo agency in 2012, I was deeply impressed,” recalls curator Teona Gogichaishvili. “Jan’s images are far removed from the usual ‘crisis photography style’. You feel a closeness between the photographer and the places and people he photographs.”
Deciding to bring Grarup’s images to Georgia, Gogichaishvili came up with a selection of images to display at Kolga Tbilisi Photo festival with her German colleague Gregor Beltzig. The images they chose were from Grarup’s mammoth 496-page book And Then There Was Silence, which covers 17 conflict regions, captured over a quarter of a century.
“Choosing which works to include was not easy because there were so many strong images,” admits Gogichaishvili. But, she says, her focus was on the visitors to the photo festival. “It was not my intention to shock people. But I did not wish to play down the story, so I had to find a middle ground.”
Photographing in black-and-white, Grarup shoots the pain and the horror of the people caught in the midst of catastrophe. However, he also captures the strength of the human will, with glimpses of joy even in the most desperate of situations.
“In view of the political history of Georgia, the following countries were particularly interesting to include in the exhibition: Chechnya, Kosovo, Afghanistan, Mosul,” says Gogichaishvili. “Especially Chechnya, because we had a similar political unrest in Georgia in the ‘90s, which I can remember as a teenager.”
The biggest challenge was to get in the right frame of mind and to bring herself to look at the hard pictures, the curator adds. “Over the past several years I’ve been working with refugees. I know these cruel stories, and Jan’s pictures conveyed these stories exactly. They also speak of the ‘special silence’ before and after conflict. It’s these special silences in Jan’s images and the book itself that push us out of our comfort zones to face an uncomfortable reality.”
To buy the book, visit the And Then There Was Silence official website, and to see more of Jan Grarup’s work, check out his website.
And Then There Was Silence was one of the exhibitions at Kolga Tbilisi Photo Week.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck

Kathy Shorr’s splashy portraits inside limousines
The Ride of a Lifetime — Wanting to marry a love of cars and photography, Kathy Shorr worked as a limousine driver in the ’80s to use as a studio on wheels. Her new photobook explores her archive.
Written by: Miss Rosen

Lewd tales of live sex shows in ’80s Times Square
Peep Man — Before its LED-beaming modern refresh, the Manhattan plaza was a hotbed for seedy transgression. A new memoir revisits its red light district heyday.
Written by: Miss Rosen

In a world of noise, IC3PEAK are finding radicality in the quiet
Coming Home — Having once been held up as a symbol of Russian youth activism and rebellion, the experimental duo are now living in exile. Their latest album explores their new reality.
Written by: Isaac Muk

Are we steamrolling towards the apocalypse?
One second closer to midnight — While the rolling news cycle, intensifying climate crisis and rapidly advancing technology can make it feel as if the end days are upon us, newsletter columnist Emma Garland remembers that things have always been terrible, and that is a natural part of human life.
Written by: Emma Garland

In a city of rapid gentrification, one south London estate stands firm
A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.
Written by: Alex King

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home
From Sayan to Savoie — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. First up, the Siberian-born, Paris-based composer and synthesist.
Written by: Maria Teriaeva