Switch off? In the digital age, we’ll always be reachable

New Romantics — Our constant online presence means we’re always available, even when we don’t want to be.

This week, it happened again: an unexpected text found its way to my phone after three weeks of silence. It got me thinking about availability: how we’re available, where, to who.

Everyone has someone who comes in and out of their life intermittently: that’s not a phenomenon unique to the internet. But, as I’ve discovered, the range and breadth of our online lives make it far easier for someone to pop up again and again, picking you up and putting you down as and when they please – something my friend Hayley described as “a whack-a-mole of emotional distress”.

This is particularly difficult when you’re trying to extricate yourself from a romantic relationship. You archive their chat on WhatsApp: they text you instead. You block their number so they can no longer call: they send you an email. There’s almost always somewhere – some backchannel, some avenue – someone can reach you if they really want to. The ubiquity of last seen and blue ticks and online statuses adds to this perpetual availability: someone’s tangibly, measurably there. You can feel them.

It’s startling what impact this can have on us. What is a text? A text is disposable, a half-thought, the shadow of a memory of a feeling: what harm can it really do? A lot, it turns out. An unexpected text can quickly pierce our emotional unavailability, no matter how hard we’ve worked on it, no matter how much time has passed. It jolts us into a new, uneasy present, one we’ve lived before and were happy to see the back of.

This often comes at exactly the wrong time, too, the person you don’t want to hear from seemingly intuiting that your feelings have changed. “I feel like I’m finally getting over it,” I tell my friends in the pub on Monday night; less than 12 hours later the inevitable message comes, he and I like two tin cans on the end of a suddenly quivering string.

I can’t say it was a huge surprise: because we’re all so easy to reach, we start to expect it, the restless period of waiting and counting and watching our inbox lasting longer and longer before we snap and stop caring. He could reach you by text or by email or by Facebook or by WhatsApp, he could send you an Instagram DM, a tweet. Sometimes he won’t. But sometimes he will.

This in-between impossibility reminds me of a poem by Richard Siken, ‘You are Jeff’: “When he throws the wrench into the air, it will catch the light as it spins towards you,” he writes. “You had expected something else, anything else, but the wrench never reaches you. It hangs in the air like that, spinning in the air like that.” Online, that wrench can spin forever.

We all know that the internet can help us reach almost anyone, whether that’s emotionally or literally: we ourselves can be open to anything from totally consuming mutual intimacy to simple, basic contact, words on a screen that uncomplicatedly communicate nothing but themselves. But when this connection is so intermittent, it can turn into a kind of cruelty: we know someone’s there even when we’re not, and we take advantage of it.

It’s not sustainable. After a while you have to switch off, close the channels. You have to redirect the email to spam, block the number for (your own) good; you have to understand that their silence is a meaningful action in itself. You have to stop putting yourself through it; you have to grit your teeth and make yourself unavailable, close your eyes and wait. Eventually, it has to stop: eventually, you have to let the wrench hit you or fall to the floor.

Follow Emily Reynolds on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

 


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.