The garden project exposing the fault lines of US justice

Inside the prisoner’s apothecary — The Prisoner’s Apothecary is a mobile healing unit bringing natural medicines to communities impacted by mass incarceration. 

In 2002, organiser jackie sumell launched Herman’s House; a collaborative exhibition, book, Emmy Award-winning film and advocacy campaign. She started the project with political prisoner Herman Wallace, a member of the “Angola 3” who spent 41 years in solitary confinement for a crime he did not commit. 

Just three days after his conviction was overturned and he was released in 2013, Wallace died of liver cancer in New Orleans at the age of 71. “I ask you not to let the tragedy eclipse the miracle,” sumell says. “Herman died free, innocent in the eyes of the law, and surrounded by those of us who loved him most.”

Fueled by the desire to keep Wallace’s legacy alive, sumell embarked on The Solitary Gardens, a project inspired by a 2006 letter from Wallace in which he described his dream garden replete with gardenias, carnations, and tulips. “This is of the utmost importance,” Wallace wrote sumell. “I would like for guests to be able to smile and walk through flowers all year long.”

sumell set to work to create The Solitary Gardens, a series of garden beds, each inbuilt with the 6’ x 9’ footprint of a standard U.S. solitary confinement cell at a park in the Lower Ninth Ward of New Orleans. Here, volunteers tend to gardens bearing the most lucrative chattel crops – including sugarcane, cotton, tobacco, and indio – as a powerful reminder that slavery still flourishes in the United States today. 

“Slavery did not end,” sumell says. “It merely evolved into systems of punishment, judgment and control; from the school-to-prison pipeline to the prison industrial complex. My life’s work has been centred around establishing the relationship between prisons and slavery; the status quo and complicity; prison abolition and spiritual practices.”

The Solitary Gardens utilise the tools of prison abolition, permaculture and alternative education to facilitate unexpected exchanges between incarcerated folx in solitary confinement and volunteers on the ‘outside.’ The beds are designed and remotely gardened by incarcerated collaborators, known as Solitary Gardeners. Through growing almanacs, written and photographic exchanges and occasional prison visits.”

From The Solitary Gardens, a new project bloomed: The Prisoner’s Apothecary, a mobile healing unit (“Plantbulance”) that transforms the plants grown in here into natural medicine, tea, tinctures, steams and salves for communities most deeply impacted by mass incarceration. 

“Through the act of shared gardening and medicine making, The Prisoner’s Apothecary aims to demonstrate how ignoring the vitality of the ‘other’ impoverishes our own imaginations and collective wellbeing,” sumell says. “Unlearning systems of oppression, like growing a plant, requires daily attention and care.”

Prisoners from across the country have been invited to co-design the gardens and share healing practices, directly serving the communities they are accused of harming. “The goal is to help us dream beyond what we know by challenging the dominant culture’s reductive understanding of criminality,” sumell says. “Like gardening, abolition asks us to invest and nurture the environment in order for things to grow to their fullest potential.”

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


You might like

Crowd of protesters holding Palestinian flags and signs calling for "Free Palestine" outside the UK Houses of Parliament.
Activism

A reading of the names of children killed in Gaza lasts over 18 hours

Choose Love — The vigil was held outside of the UK’s Houses of Parliament, with the likes of Steve Coogan, Chris O’Dowd, Nadhia Sawalha and Misan Harriman taking part.

Written by: Isaac Muk

Dimly lit underground carpark, long winding corridor with concrete walls, floor, and pipes above.
Activism

Youth violence’s rise is deeply concerning, but mass hysteria doesn’t help

Safe — On Knife Crime Awareness Week, writer, podcaster and youth worker Ciaran Thapar reflects on the presence of violent content online, growing awareness about the need for action, and the two decades since Saul Dibb’s Bullet Boy.

Written by: Ciaran Thapar

Vibrant book covers against bleak, rocky hills and buildings; 'Babylon' and 'Albion' text in bold lettering.
Culture

Dalia Al-Dujaili: “When you’re placeless, nature can fill the void”

Babylon, Albion — As her new book publishes, the British-Iraqi author speaks about connecting with the land as a second-generation migrant, plants as symbols of resistance, and being proud of her parents.

Written by: Zahra Onsori

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.