The man working to save rhinos from extinction
- Text by Miss Rosen
- Photography by James Mwenda / Ol Pejeta Conservancy
When Sudan, the last male northern white rhinoceros, died last year at the age of 45, the fate of the sub-species inched one step closer towards extinction. Just 100 years ago, half a million roamed freely across Africa and Asia, but their vicious slaughter by poachers – who sell their horns for a reported $110,000 per kilogram on the black market – has nearly erased them from the earth.
As of today, only two northern white rhinos remain: Sudan’s daughter Najin, 30, and his granddaughter Fatu, 19, both of whom are under the care of James Mwenda, a conservationist at Kenya’s Ol Pejeta Conservancy.
“It takes an emotional toll and it’s a very heavy responsibility,” says Mwenda, who has been caring for the family of three since 2013. “I feel so passionately because these animals cannot talk for themselves. I developed a special bond with them over time. I appreciate the majestic, loving animals they are. They are the last of their kind. I need to be their voice and speak for them.”
Mwenda wanted to be a conservationist from a very young age. Growing up near Mount Kenya, he remembers conflicts between the people and the elephants: “They would come, raid our farm, and eat everything. I wanted to understand them so I could be in between the community and the elephants.”
As caretaker for Najin and Fatu, Mwenda starts his day in the early hours of the morning making sure their needs are met, their environment is clean, and they are safe under the protection of the 24-hour armed guard. “They cannot go back into the wild so we have to complement that by showing them more affection,” Mwenda says.
“Animals shown affection really give it back and you take it in. They react to us, they rely on us, and trust us – but on the other hand, I feel like they also know they are quite at the edge. I spend a lot of time looking at them wondering and I think there is a way they feel that they are the last. This extinction seems to dawn on them but that affection and attention helps them to keep going.”
Mwenda speaks fondly of Najin and Fatu as he describes their characters and temperaments. “Najin naturally assumed a motherly role. She is quiet and cool. Unless something spooks or aggravates her, you will not see her reacting in an abnormal way,” he says.
“Fatu, on the other hand, I call her my girlfriend on social media. We have a special bond. She is a bit crazy. She’s also approachable but not very predictable. There is a southern white rhinoceros that plays with Fatu and she learned a bit of naughtiness from him because he is wild.”
For Mwenda, complaining is not the answer; we need to do something before it is too late. “I use the fate of the northern white rhinos to inspire,” he says. “We as a people can bring solutions. We are here, yes, but we can learn a lesson out of this and bring hope to so many of the other species around us that are on the verge of extinction.”
Learn more about James Mwenda’s work, and how you can help, on the Ol Pejeta Conservancy website.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen