Life without power — The island is still stuck without electricity, internet and phone service over six weeks after the storm first struck. In her latest photo series, Day 22-29, Erinn Springer captures the local struggles.
Written by: HUCK HQ
The Monday Mix — The singer, songwriter, composer, producer and multi-instrumentalist leads a musical voyage for our latest Monday Mix, traversing effortlessly through genre, place and time.
Written by: Niall Flynn
From Where I Stand — Across the United Kingdom, local authorities are risking the public's cash, pensions and futures on dirty fossil fuel investments.
Written by: Mika Minio-Paluello // Sarah Shoraka
Body of Reverbs — Oozing fetishism and violence, Michele Servadio’s strange tattooing rituals are being performed around the world; creating spectacles that fuse art, music, and exorcism.
Written by: Jonas Henmo
How to change the world — War veteran Michael A. McCoy initially turned to photography as a way of coping with Post Traumatic Stress Disorder – since then, he’s shot some of the most significant protests in US history. Here, he shares his advice for young activists.
Written by: Miss Rosen
From Tank Girl to Gorillaz — 25 years of Jamie Hewlett's work are catalogued for the first time in a new book by Taschen, looking at the artists' iconic style and legacy.
Written by: Biju Belinky
From Where I Stand — In todays Times Janice Turner penned a transphobic column, painting transgender people as predators and a threat to our children. Some journalists are obsessed with attacking the trans community, placing vulnerable people in danger while turning our media toxic, writes Dawn Foster.
Written by: Dawn Foster
Human Flow — The artist's first full-length film addresses the worldwide refugee crisis, urging the world to remember the humanity behind headlines.
Written by: HUCK HQ
El Barrio — Photographer Joseph Rodriguez shoots a forgotten New York community in a new book and exhibit, Spanish Harlem: El Barrio.
Written by: Mike Steyels
Groundbreaking gravitas — As one of the most prominent voices to document American life in the 1950s and ’60s, Gordon Parks used his camera as a ‘weapon’ to fight racism, intolerance and poverty – paving the way for others to blur the line between artist and activist. LaToya Ruby Frazier is determined to further that legacy through social documentary that’s both personal and political.
Written by: LaToya Ruby Frazier, as told to Cian Traynor