Pandemic Innovators — Karma Cans used to cater for some of the biggest corporations in the capital – until the pandemic hit. But as their profit margins shifted, so did their priorities.
Written by: Huck
From Manchester to Camden — Street photographer Shirley Baker would travel to London’s Camden Market every weekend, mesmerised by the area’s rebellious youth movement.
Written by: Miss Rosen
‘These stories are vital’ — Michaela Coel’s show has been widely praised for its bold portrayals of race, sexual assault, homophobia and survival. So what makes it so groundbreaking?
Written by: Almaz Ohene
Cleansing a city — A new documentary, We’re Still Here, follows activist groups and social housing tenants caught up in London’s rampant social cleansing.
Written by: Katie Goh
The purge of the left — Keir Starmer’s decision to fire his Shadow Education Secretary highlights the moral pitfalls of approaching anti-racism as a public relations exercise.
Written by: Aron Keller
20th century portrait — After moving to the city in the 1970s, photographer Peter Mitchell began shooting its rapidly-changing urban landscape.
Written by: Zoe Whitfield
A soldier with no name — When the island was under Nazi control during the Second World War, two avant-garde artists attempted their own cryptic resistance campaign. Now, 75 years after its liberation, their story is finally being shared.
Written by: Jessie Williams
On division and democracy — As the country went into lockdown, we jumped on the phone with the new Shadow Justice Secretary to talk about his book, the coronavirus crisis, and the rising threat of the far-right.
Written by: Ben Smoke
Polska Britannica — After moving with his parents from war-torn Poland to Leicestershire, Czesław Siegieda took up photography to document the day-to-day of immigrant life.
Written by: Jacob Charles Wilson
Vision over profit — From funeral reenactments to mariachi bands: events like The White Hotel and Fat Out want to introduce more challenging, political and philosophical ways of partying.
Written by: Luke Charnley