It’s 2020, and angry white men have declared war on the planet… | Huck
Huck
Opinion

Angry white men have declared war on the planet (again)

The Fightback: Climate — The culture war is no longer a trivial sideshow to the fight against material inequality, writes Ash Sarkar. If we lose, we lose on the climate too.

We’re only a few weeks into the new decade, but it’s safe to declare 2020 as the year when climate change officially got dragged into the culture war. It joins the more quotidien stuff about Apu from The Simpsons, if transgender people are unreasonable for wanting to live in safety and dignity, and whether white people being told they look bad in cornrows constitutes racial oppression. 

It’s strange. A few years ago, it felt like the boiling of our planet in the interest of wealth extraction had about as much cultural salience as Duncan from Blue. Climate change in the cultural imagination came attached to a certain sense of loftiness: impossibly huge numbers superimposed over aerial shots of the Great Pacific Garbage Patch, drone footage of wind turbines, smiling vegetarians wearing Friends of the Earth t-shirts. 

Worrying too much about the amount of carbon in our atmosphere was the stuff of space cadets. Even the way politicians engaged with the issue came across as ineffective, distant and appallingly patrician. Polly Mackenzie, at the time a special advisor to Nick Clegg, boasted of how the Liberal Democrats secured the 5p charge for carrier bags in exchange for a coalition agreement to tighten benefit sanctions. David Cameron established his green credentials by jumping aboard a huskie-powered sled and speeding off to inspect a Norwegian glacier back in 2006 – perhaps a little on the nose, but a decent enough metaphor for an environmental agenda which seemed to have little to do with peoples’ lives.

Today, the vibe is wholly different.  As Richard Seymour observes, our media has become one big,  popping vein of enraged climate sadists. Think about the confected fury of Piers Morgan when presented with vegan versions of classic savoury pastries that he’s under no obligation to actually purchase or consume. Or the effervescent glee with which the 51-year old Julia Hartley-Brewer informed the teenage Greta Thunburg that she’d booked a long-haul flight. Or the strange way in which right-wing ‘influencer’ men like Jordan Peterson and Laurence Fox take pride in letting their supporters know that, by swearing off vegetables and committing themselves full-time to the pursuit of constipation, they refused to be cowed by the idea that eating meat might be bad for the environment.

As a gesture of solidarity with the tens of millions of carrots murdered every year to facilitate #Veganuary , tonight I forsake vegetables. pic.twitter.com/Tr2XvpZLfi

— LAURENCE FOX (@LozzaFox) January 19, 2020

Where did this come from? It might be through a clogged artery, but these professionally outraged right-wingers have their finger on the pulse of something deeper. In part, climate sadism forms part of a generalised backlash against that technocratic, managerial and hopelessly hypocritical green tokenism of the coalition years. It’s marked by an appeal to a deeply reactionary and authoritarian shared “common sense”, while simultaneously viewing any attempt to reshape society in line with the common good to be an unacceptable compromise on the values of individualism and faith that the market will sort stuff out eventually. Far from being an anti-establishment ideology, climate sadism is really just Thatcherism on steroids.

Both climate sadism and green incrementalism operate as cultural constraints on our political imagination. As long as misinformation floods Australian Facebook feeds and WhatsApp group chats during the worst megafires for a generation, the markets may continue unbothered for one more day. Climate change isn’t an environmental crisis so much as an economic one – there’s a lot of money to be made in watching the world burn, and no free market incentive to upend the status quo. Our current model of wealth extraction is both an ecological disaster, and produces corrosive levels of carbon inequality: just 100 companies are responsible for 71 per cent of global emissions. 

It takes a culture industry to prop up fossil fuels markets. In the US alone, fossil fuel interests have outspent environmental groups in lobbying by a ratio of 10:1. The Koch brothers, known for their aggressive bankrolling of conservative and ‘libertarian’ causes, themselves run Koch Industries. It’s reported that the petrochemicals giant “routinely released some 24 million tons of carbon dioxide into the atmosphere a year”. As such, the current culture war is a reflection of a deepening material conflict. Ranged against one another are a world economy based on the relentless and inexhaustible exploitation of land, labour, and resources, and on the other side, a creeping realisation that the coming climate reckoning won’t be contained by either class distinction or border regimes. 

The culture war is no longer a trivial sideshow to the real fight against material inequality. If we lose the culture war, we lose on the climate too.

Follow Ash Sarkar on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter. 

 


You might like

Introducing ‘The Chaos Isles’, a new photozine by Huck and Yushy

Normal Island — From unlicensed raves to the solstice at Stonehenge, furries to giant vegetable growers, Yushy is one of the UK’s best lensmen of its wild side. ‘The Chaos Isles’ will be sent out exclusively to Club Huck+ members.

  • Culture
  • Isaac Muk

The long history of slop in music

Top of the Slops — The term might be everywhere now, but the act of copying and enshittifying has been around for decades, explains Ian McQuaid.

  • Music
  • Ian McQuaid
“It’s been hard Anthony. I’ve a photo of you three together, and it’s not being disrespectful for you, you’re on t’ end, and I bent it over because it upset me that much I couldn’t look at that photo. And it’s the only photo I’ve got of you. Even now the photograph does upset me because it brings back awful memories of what your dad did to us. I mean I’m not ashamed of the photo.

Nick Danziger’s striking vision of everyday British life in the ’90s

The British 1994-1999 — The renowned photojournalist returned to his birth country on the cusp of the Millennium, capturing its contradictions with humour and wit.

  • Culture
  • Miss Rosen
CYQ0056E_01.tif
© Tom Hunter

New exhibition highlights British radical living over 200 years

Earthly Paradise — Taking place at the William Morris Gallery, it explores the homes and lives of artists, writers, musicians and more, as well as the conditions that allowed them to thrive.

  • Activism
  • Isaac Muk

Just Stop Oil holds first protest in 17 months

No new drilling — Having previously said that it was “hanging up the hi-vis”, the climate activist group has blocked a road outside Parliament to protest Andy Burnham opening the door for new oil and gas extraction licenses in the North Sea.

  • Activism
  • Ella Glossop

The rise of the outdoor’s punks

Future is unwritten — As demand for the outdoors has grown, so has the codification of its rules and styles. Phil Young searches for those adventuring against the mainstream and asks if the industry is about to get its own record label moment?

  • Sport
  • Phil Young
You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.