Punk. London: A year-long celebration of four decades of punk
- Text by Joshua Gabert-Doyon
- Photography by Punks hanging out on the Kings Road, London, 1983. ©Ted Polhemus, PYMCA
A year-long festival of music, art, tattoos, writing, and film looking back at 40 years of punk kicked off this week at The 100 Club. The Punk. London festival takes place throughout the city to celebrate the birth of punk in 1976.
“Punk is about individuality, empowerment and freedom – it’s a liberating attitude towards work, life and art. Punk’s DIY ethos taught me that a good idea attempted is better is than a bad idea perfected,” says Don Letts, the British film director, DJ and musician who’ll be presenting a season of films on punk this summer at the BFI. “But in a cultural climate that feels like punk never happened the more pertinent question is – where is Punk today?”
It’s a good question to ask – while the festival focuses on the history of punk – photography from the good old days, the evolution of punk fashion and the early days of punk’s print culture – there’s also an emphasis placed on the up and comers. Rough Trade (which opened in 1976) is throwing a series of in-store and venue gigs.
There’s also gigs planned for London Fashion Week in late February, and a Punk Weekender at The Roundhouse, featuring music and spoken word performances, including a Women in Punk day put on by the British Museum.
Other highlights from the festival are photo exhibits by Janette Beckman (Punk Rock Hip Hop Mash-Up at the Chelsea College of Art Milbank Gallery), Jill Furmanovsky (Rockarchive’s A Chuck of Punk at Barbican Music Library), and Derek Ridgers, Anita Corbin and the PYMCA Archive showing together for a Punk Weekender at the Photographer’s Gallery.
For a full schedule visit www.punk.london
Grab it in the Huck Shop now or Subscribe today to make sure you never miss another issue.
You might like
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
Huck’s 20th Anniversary Issue, Wu-Tang Clan is here
Life is a Journey — Fronted by the legendary Wu-Tang Clan’s spiritual leader RZA, we explore the space in between beginnings and endings, and the things we learn along the way.
Written by: Huck
Clavicular isn’t interesting, really
Dreaming Small — The ‘looksmaxxer’ of the moment has garnered widespread furore over recent controversies. But newsletter columnist Emma Garland asks whether the 20-year-old influencer is actually doing anything that new, and what his rise says about modern turbo-nostalgia’s internet dominance.
Written by: Emma Garland

