High Maintenance creators bucked the system by trusting the wisdom of their gut
- Text by Huck HQ / Samantha Maine
- Photography by Paul Kwiatkowski
#20 – High Maintenance
The way we’re watching TV has changed, thanks to a kind of technological coup. As movie stars cultivate a new respect for the form, veering towards series delivered on-demand (see True Detective, House of Cards and more), and teens turn to YouTube for their daily hits, everyone’s trying to figure out how to make it in this new world. But it also means more first-timers are getting air-time, and production companies are taking bigger chances than ever before. And if you don’t get your big break, you can craft one for yourself. That’s exactly what husband and wife duo Ben Sinclair and Katja Blichfeld did when they embarked on their DIY web series, High Maintenance. The show’s success is a testament to trusting their instincts. But the duo have had to make some tough decisions along the way, some of which they wholly regret:
“Your first gut reaction is the correct one,” offers Ben. “Yeah, they were mostly based on advice from people who might not know us that well or based on what seems to be the general tact for most people,” continues Katja. “Our gut reaction would be at odds with that and we would choose to go with the more tried and true path because that’s what people around us are saying and then come to regret it. That’s been huge for us.”
This is just a short excerpt from Huck’s Fiftieth Special, a collection of fifty personal stories from fifty inspiring lives.
Grab a copy now to read all fifty stories in full. Subscribe to make sure you don’t miss another issue.
You might like
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
Confronting America’s history of violence against student protest
Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality.
Written by: Miss Rosen
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk