Lolly Adefope is stand-up's brightest shape-shifter
- Text by Michael Segalov
- Photography by Tom Jamieson

Lolly Adefope once said it’s hard being a black woman in comedy… or at least, she sort of did.
There’s a sketch in her latest stand-up show where Lolly plays a gameshow host, turning on her audience and posing impossible questions for them to answer – a routine she keeps returning to throughout her character-fuelled performances.
“You’re doing a show,” she asks herself finally. “Do you mention your race and have people say you shouldn’t have? Or do you not mention your race and have people say you should?”
The thing is, Lolly has tried both. When first starting out, she decided to steer clear of discussing race in her routine.
“I thought, ‘This is my first show and I want it to be about how funny I am,’” she says. The only explicit reference made to being black came as an aside from off-stage. “It’s hard being a black woman in comedy,” she muttered from the wings in an act of self-deprecation.
“The reviewers said they wished I’d talked about that more,” she says, “and all I could think was, ‘This wasn’t a show about race. It was a show about weird characters.’”
At 26, Lolly is a rising star in the standup scene, but when we meet in a cafe close to her London flat, it’s clear that this path didn’t always feel within reach.
Despite being the class clown at school, comedy was a world where faces like hers weren’t visible – meaning heroes were few and far between.
“I don’t think I was necessarily conscious of the fact that it was because I was black,” she says, sipping at her ginger tea.
“I feel like maybe if I was white, I would have thought, ‘Oh yeah, I’m going to do what they do.’”
A few internships and open-mic slots later, Lolly’s skill for crafting engaging and funny personas became clear.
“I was always into doing accents and voices, but was too scared to be myself on stage because I thought people would hate me,” she explains.
Lolly’s brand of character comedy also allows her to confront topics and issues with a layer of protection: it’s not her in the spotlight but someone of her own creation.
She waxes lyrical about racism, homelessness and abortion as we talk. Broaching these hard topics through characters makes things a little bit easier.
“I also don’t like the sound of my own voice, so I much prefer doing accents or doing someone else!”
The way Lolly sees it, black comedians can’t win: steer clear of your blackness and the issues get ignored; bring it up when told to and it’s not on your own terms.
“We need to find the balance between acknowledging that people are black and acknowledging that they’re just doing exciting things that don’t have to be put in a box of black comedy,” she says.
And what does that mean for other aspiring stand-ups, unsure of where they fit in?
“I guess, just make it clear,” Lolly says with a smile, parroting a sarcastic teen. “I can do whatever I want, guys!”
This article appears in Huck 59 – The Game Changer Issue. Buy it in the Huck Shop or subscribe to make sure you never miss another issue.
Check out Lolly Adefope on Twitter or read the rest of our Kings of Comedy series.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck

Meet the trans-led hairdressers providing London with gender-affirming trims
Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.
Written by: Hannah Bentley

Gazan amputees secure Para-Cycling World Championships qualification
Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.
Written by: Isaac Muk

New documentary revisits the radical history of UK free rave culture
Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.
Written by: Isaac Muk

Rahim Fortune’s dreamlike vision of the Black American South
Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.
Written by: Miss Rosen

Why Katy Perry’s space flight was one giant flop for mankind
Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.
Written by: Emma Garland

Katie Goh: “I want people to engage with the politics of oranges”
Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.
Written by: Katie Goh