Capturing the true meaning of gender fluidity

All The People — Gender expression takes many forms, what it means to be a man, a woman, or something other for each of us can never truly be the same. All The People, a new photo book and project, explores the experiences of gender non-conforming people from around the globe, defining their identity on their own terms.

Life for many trans people continues to be hard. Social media campaigning, trans pride events and heart-wrenching personal narratives might be uniting many of us in support for this community that for so many years went under the radar, but the fight is by no means over. This isn’t just through explicit discrimination and prejudice, but also a lack of understanding.

As trans visibility becomes more prominent in our cultural landscapes, it’s vital to remember that for many trans people gender is far more nuanced than most of us appreciate.

All The People Bernd Ott All The People Bernd Ott

All the People is a book of beautiful portraiture alongside inspiring personal narratives which gives authentic voices to people who define gender on their own terms. Photographer Bernd Ott and writer Emily Besa, the brains beind the project, worked collaboratively with their subjects, which meant giving them full creative reign of their shoots, and allowing them to give away as much – or as little – as they wanted.

What they’ve created is a touching, intimate exploration of all the nuances of gender fluidity, showing us what it really means to be at peace with our identities.

How did you seek out and approach people to be part of the project?
Emily: In the beginning we had an introductory website that we asked our first participants and friends to share with people that might be interested. Those friends and participants introduced us to more people. And among them were some key multiplicators, a couple people within the queer community who really believed in the project and introduced us, gave us good references, and validated the project with their involvement.

Why was it so important to you to have quite such a varied mix of people – nationalities, ages, race?
Emily: We focused on five cities; five cities that we have called home — and these cities are home to a great mix of people. It was important to show through the diversity what we have in common, as well as examine the nuances of human experience.

Bernd: We don’t claim to have a representative collection of [all] gender non-conforming individuals in the world. That would be preposterous with such a small group of individuals.

The approach to the project wasn’t scientific, but we attempted within reason to cover a large range of humans in age, ethnicity, social background, sexuality and more, to reflect within our small means the diversity of all people. It is easier that way for a viewer and reader to find a person to identify and connect with. I believe that looking at the pictures and reading the stories you will always find your favourite, a person you can see a lot of yourself in or a person you would love to have as a friend.

All The People Bernd Ott All The People Bernd Ott

You gave your subjects free reign of their shoots, how did it work out?
Bernd: The collaborations with people differed a lot. Commonly people would choose their outfits and where they wanted to be photographed – a safe space, a favourite place or a spot of personal significance.

The process really differed a lot between the people. Someone tried to recreate certain male Hollywood stereotypes in a playful way and at the other [end of the spectrum], a five year old child is a five year old child where only a lot of patience and play will get you to the pictures you want. Actually, that works for some of the grown ups as well.

All The People Bernd Ott All The People Bernd Ott

You say everyone you approached wanted to know the why you were making this project. Did you sense some suspicion, were people nervous?
E
mily: I think the ‘why’ ranged from curiosity to wariness, [which] was quite understandable being that two heteronormative (non-trans, cisgender, heterosexual) people initiated the project. We all come to things with preconceptions and past experiences and peoples’ inquiries were definitely a reflection of these two things. It’s important to note that just because someone is queer and gender non-conforming, doesn’t automatically mean that they are going to be the most sensitive people.

Bernd: On occasions we met people who had past experience with media, and more than once these experiences left a lot to be desired. Particularly writers and image makers that were not part of the community seemed to have an outside view [which] tended to expose and objectify. It took time and personal contact to rebuild trust that had been destroyed by past experiences.

All The People Bernd Ott All The People Bernd Ott

Was it difficult to condense such complex personal narratives into just two pages of text?
Emily: Yes, at times. But for me, the writing process was not just about relating personal narrative; it was also about capturing someone’s voice, so the reader feels like they are also in the conversation. We tell our stories differently to different people, and they evolve in the telling over time. Our stories are ever-changing. The main thing was that that person’s storytelling came through in an authentic way.

Every person signed off on their text, as it was essential that they felt good about the way their stories were told.

All The People Bernd Ott All The People Bernd Ott All The People Bernd Ott All The People Bernd Ott

All The People is published by Kerber

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Rustic footbridge across a river, with people crossing it on a sunny day. Warm tones and shadows suggest an outdoor, natural setting.
Sport

In Medellín’s alleys and side streets, football’s founding spirit shines

Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.

Written by: Isaac Muk

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.
Culture

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Written by: Miss Rosen

Black and white image of several people in suits, some with long hair and unconventional appearances, alongside a large ship or boat model. Text overlaid: "FREAKS AND FINANCES".
Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

Vibrant book covers against bleak, rocky hills and buildings; 'Babylon' and 'Albion' text in bold lettering.
Culture

Dalia Al-Dujaili: “When you’re placeless, nature can fill the void”

Babylon, Albion — As her new book publishes, the British-Iraqi author speaks about connecting with the land as a second-generation migrant, plants as symbols of resistance, and being proud of her parents.

Written by: Zahra Onsori

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.