Technicolour shots of Tel Aviv’s beach bums
- Text by Naomi Zeveloff
- Photography by Alex Farfuri
Israel’s tourism material is filled with glossy images of Tel Aviv’s beaches, with muscle-bound 20-somethings playing matkot — the Israeli paddle ball sport — on sparkling sands. But there’s another story of the beach, one that 26-year-old American-Israeli street photographer Alex Farfuri documents with humour and affection.
Farfuri’s photographs are of the people she calls “my beach bums,” the mostly retirement-age Israelis who congregate on the shore day in and day out. Her technicolour images are full of sunburned skin, fat rolls, and wrinkles – attributes that her subjects seem proud to bear as they lounge in the Tel Aviv sun.
“You don’t see a lot of elderly people showing off their skin, loving their body,” she says. “I want to show more of that. I think it is much more unique than seeing a young girl my age with a nice body in a bikini at the beach.”
Farfuri’s photography was born out of her own “deep, deep love” for the beach. More than a place of leisure, the beach is a great equalizer, Farfuri says, where “it doesn’t matter what you drive, or what you wear, or where you came from” — everyone strips down and enjoys the sun, sand, and water.
Farfuri, who has no formal training as a photographer and has been taking photos since childhood, began her beach project in March 2018. Armed with a CONTAX film camera — film, she says, provides a “deeper” experience than digital — she began combing her local Frishman Beach. Initially too shy to approach people, she took pictures of them from behind.
Last April, a man called out to her when she walking around with her camera. Lifting up his shirt to reveal a massive belly, he said, “Take a picture of this,” she recalls. “It caught me speechless.”
The resulting photo, in which the man, Amnon, poses saucily with a gold bracelet on his wrist, has become her most recognised image. The experience gave her the confidence to meet her subjects, often complimenting them as a way of striking up a conversation before asking for a photo.
Today, her criteria when finding subjects are colour, style, and attitude. She is drawn to elderly women who dress up for the beach, donning earrings, makeup, and unusual glasses. Through Farfuri’s lens, their confident insouciance shines.
Often, she says, her subjects tell her: “Obviously you want to take a picture of me. I am gorgeous.”
See more of Alex Farfuri’s work on her official website, or follow her on Instagram.
Follow Naomi Zeveloff on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
