Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s historical drama Outlaw King and gross-out teen romp The Package.
Written by: Megan Nolan
Risk and resist — In his chilling documentary, Of Fathers And Sons, director Talal Derki paints an intimate portrait of life in a modern Jihadi family.
Written by: Thomas Curry
Teen dreams — As a young person, it often feels like you don’t have a voice. However, a new exhibition seeks to change that, providing a platform for teenage photographers to tackle subjects from identity to homelessness.
Written by: Niall Flynn
André Aciman in conversation — Writer Megan Nolan talks to André Aciman – author of Call Me By Your Name and the new Enigma Variations – about love, sexuality, and the power of the written word.
Written by: Megan Nolan
In the bedroom — Former defence attorney Sara Bennett captures women who have been released after serving long sentences in maximum-security prisons.
Written by: Eva Clifford
No vaping please — ‘Like an IKEA for cats’: photographer Joe Hart heads to the most prestigious event on the UK’s feline calendar.
Written by: Huck
Rocking steady — Photographer Adrien Boot looks back on a life capturing the Jamaican communities of Britain: ‘In the ’70s, London was a dark place,’ he remembers. ‘You know what they say – you need hard times and stress to make good music.’
Written by: Miss Rosen
Here we go again — Earlier this week, Victoria’s Secret came under fire for dismissing the inclusion of plus-size and transgender models in their shows. Personal trainer and writer Ban Hass probes why so many people – both in the fitness world and out – are still so oblivious to the power of their own privilege.
Written by: Ban Hass
Going underground — Palestine Underground is a new, Boiler Room-produced film that examines the state’s flourishing nightlife culture.
Written by: Hannah Clugston
Poetic timing — Mikiko Hara doesn’t need a viewfinder. Instead the Japanese street photographer shoots from the chest, allowing the camera to capture happy accidents that come as a surprise... even to her.
Written by: Mikiko Hara