This side of paradise — Photographer Giovana Schluter grew up uneasy in one of Brazil’s many private neighbourhoods – artificial worlds built for the middle classes. So years later, she returned to a manufactured enclave just like the one of her youth, hoping to get to the heart of their emptiness.
Written by: Benjamin Cook
William Eggleston’s snapshots — Throughout the ’70s, photographer William Eggleston captured the rural towns of the American South, where he took colour, concept and composition to new heights.
Written by: Miss Rosen
Life on the Cracker — Photographer Laura Pannack meets the young community of The Cracker, a forgotten wasteland tucked between two housing estates in Tipton.
Written by: Geralda Cela
Mind the gap — Between 1970 - 1980, photographer Mike Goldwater wandered the ‘labyrinthine’ system under the city, documenting people as they travelled from place to place.
Written by: Huck
’There’s a kind of madness’ — Since the age of 16, photographer Mitch Epstein has been documenting the complexities and contradictions of the United States.
Written by: Miss Rosen
One man’s war — An impassioned communist radicalised at the end of World War I, John Heartfield created subversive photomontages to combat Nazi propaganda in ’30s Germany – landing him on the Gestapo’s most-wanted list in the process .
Written by: Miss Rosen
Those were the days — A new exhibition is looking back on the London neighbourhood’s rebellious peak – a time when it was at the forefront of experimentation, creativity and freedom.
Written by: Miss Rosen
The way she looks — A new exhibition explores the role of women as both subject and photographer, spanning the 19th century to the present day.
Written by: Miss Rosen
Washed away — Once fixtures of the high street, launderettes are disappearing. Photographer James Blackburn has set out to capture their retro glory before it’s too late.
Written by: Joseph Marczynski
In yer face — The playwright disrupted the comfort of middle-class audiences, presenting them with a world that was violent, surreal and cruel. Theatre needs more people like her, writes Nathalie Olah.
Written by: Nathalie Olah